"Duncan Patterson hält es wohl nie ewig bei einer Band. Rastlos strebt er immer weiter, um seine musikalischen Visionen zu verwirklichen. Nach seiner Zeit bei Anathema hatte er mit Antimatter drei Stu(...)"
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Dakhma abducts listeners to a distant, foreign land and dares to journey to a time long ago, when desert mystics and noble empires still strode proudly through ancient Persia. A ferocious work that perfectly marries Black Metal and Death Metal.
Dakhma abducts listeners to a distant, foreign land and dares to journey to a time long ago, when desert mystics and noble empires still strode proudly through ancient Persia. A ferocious work that perfectly marries Black Metal and Death Metal. Lim. 250x.
Originally released in 2004, "Circle of Snakes" saw the return of the stripped down sound of early Danzig albums and is the first studio album to feature longtime touring guitarist Tommy Victor of Industrial thrashers Prong!
Originally released in 2004, "Circle of Snakes" saw the return of the stripped down sound of early Danzig albums and is the first studio album to feature longtime touring guitarist Tommy Victor of Industrial thrashers Prong!
An instrumental album composed by Glenn Danzig, and his first as a solo artist, venturing into Neo-Classical territory. The first six song titles reference John Milton's epic poem Paradise Lost, while the final three tracks reference Celtic mythology.
An instrumental album composed by Glenn Danzig, and his first as a solo artist, venturing into Neo-Classical territory. The first six song titles reference John Milton's epic poem Paradise Lost, while the final three tracks reference Celtic mythology.
An instrumental album composed by Glenn Danzig, and his first as a solo artist, venturing into Neo-Classical territory. The first six song titles reference John Milton's epic poem Paradise Lost, while the final three tracks reference Celtic mythology.
An instrumental album composed by Glenn Danzig, and his first as a solo artist, venturing into Neo-Classical territory. The first six song titles reference John Milton's epic poem Paradise Lost, while the final three tracks reference Celtic mythology.
An instrumental album composed by Glenn Danzig, and his first as a solo artist, venturing into Neo-Classical territory. The first six song titles reference John Milton's epic poem Paradise Lost, while the final three tracks reference Celtic mythology.
The final installment of Danzig's epic heptology of crushing Heavy Metal masterpieces! Danzig ended the series on a high note, earning some of his best reviews in years with LA Weeky calling the album "Controlled, relentless darkness and passion."
A Prog mosaic of enormous expressiveness, which holds a clear nod to Doom, complex polyrhythms, unusual and diverse instruments and, last but not least, drummer Niko Knappe's characteristic yearning vocals.
Cult Ambient Black Metal. The prologue to Darkspace's first album. It offers a similar musical experience to "Dark Space I", with dark and oppressive atmospheres thanks to a raw sound and more primitive production. Black polycarbonate CD in digisleeve.
Cult Ambient Black Metal. The prologue to Darkspace's first album. It offers a similar musical experience to "Dark Space I", with dark and oppressive atmospheres thanks to a raw sound and more primitive production. Lim. 1550 in embossed gatefold.
One of the most influential albums in the genre, marking the arrival of a new form of Atmospheric Black Metal with a combination of heavy guitar riffs and electronic samples that create a dark and oppressive atmosphere.
One of the most influential albums in the genre, marking the arrival of a new form of Atmospheric Black Metal with a combination of heavy guitar riffs and electronic samples that create a dark and oppressive atmosphere. Lim. 1600 in embossed gatefold.
A logical continuation of their first album but displays a greater presence of electronics. It consists of 3 tracks, for a total of more than fifty minutes of travel!
A logical continuation of their first album but displays a greater presence of electronics. It consists of 3 tracks, for a total of more than fifty minutes of travel! Lim. 1600 with UV-print on D-side and embossed cover.
Often considered the pinnacle of the band’s career! This album brings even more depth to their sound, with an even darker and more enigmatic aesthetic. Lim. 2100 on embossed cover.
Often considered the pinnacle of the band’s career! This album brings even more depth to their sound, with an even darker and more enigmatic aesthetic.
"III I" takes the ingredients that made the success of previous albums to the next level: deepest darkness, electronics, and ethereal atmospheres for over an hour. Lim. 2100 on embossed cover.
"III I" takes the ingredients that made the success of previous albums to the next level: deepest darkness, electronics, and ethereal atmospheres for over an hour.
Darkspace invites you to submerge into the enigmatic voids of "Dark Space -II", where the frontiers of reality dissolve, and the otherworldly traces of Black Metal resonate with unparalleled intensity. Black polycarbonate CD in deluxe digisleeve.
Darkspace invites you to submerge into the enigmatic voids of "Dark Space -II", where the frontiers of reality dissolve, and the otherworldly traces of Black Metal resonate with unparalleled intensity. Lim. 1000x.
A fine example of masterful primitive Black Metal riffing along with the integration of other 80’s Punk & Metal influences from the long-standing duo of Fenriz & Nocturno Culto, all executed in the unmistakable Darkthrone style.
If LED ZEPPELIN are the holy gods of Rock'n'Roll, then surely DARKTHRONE are its blood sucking, vomit inducing, devils! "The Cult Is Alive" is the fetid, rotting, rocking first fruits of Darkthrone's second coming at Peaceville, originally out in 2006.
Darkthrone's final album for the Moonfog Productions label. With a suitably raw sound courtesy of Lars Klokkerhaug, the album delivers a wholly grim selection of Black Metal greatness, with the usual dose of pure 1980s Metal influence.
Another stellar venture through the Metal cosmos, with Darkthrone’s trademark masterful riffing in a broad range of styles, effortlessly bounding through the annals of classic Metal, taking in Thrash and Black Metal, and not forgetting a dose of Punk.
Darkthrone's skull-cracking sonic assault from 2010 is another fist in the face of conformity. The ever-uncompromising 'lords of Black Metal' deliver a brilliant collection of unique Speed Metal-Punk.
With a legacy of audial treasures spanning more than 35 years, and a fountain of creativity ever flowing, Darkthrone returns in 2024 with an epic odyssey boasting classic riffs and vintage sounding Metal. One of their most complete and vast works to date.
Pure Black Metal. An unholy alliance forged in decay, featuring the talents of Italian multi-instrumentalist Omega (Fides Inversa, Blut Aus Nord, Kult) and Norwegian voice of Death, Wraath, (Dark Sonority, Mare, Celestial Bloodshed...) on vocals.
Pure Black Metal. An unholy alliance forged in decay, featuring the talents of Italian multi-instrumentalist Omega (Fides Inversa, Blut Aus Nord, Kult) and Norwegian voice of Death, Wraath, (Dark Sonority, Mare, Celestial Bloodshed...) on vocals.
Darvaza's second album ‘We are Him’ is a fierce, finessed, and free-wheeling dedication to the adversarial might of the Devil, here molded with the clay of classicist Black Metal.
Darvaza's second album ‘We are Him’ is a fierce, finessed, and free-wheeling dedication to the adversarial might of the Devil, here molded with the clay of classicist Black Metal.
Daughters continue to follow the same internal compass that guided them to blur the lines of fickle heavy music sub-genres in the first place and quietly ignite a cult fervor typically reserved for grindhouse phenomena.
David Eugene Edwards & Alexander Hacke (U.S.A./Germany)
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
A sweeping tapestry of Americana, Neo-Folk, Industrial, Ambient, Electronic and Arabic Music crafted by the brilliant minds behind Wovenhand, 16 Horsepower and Einstürzende Neubauten.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
Dawn Of Ashes creates a uniquely powerful amalgamation of Black Metal and Electronic influences, seamlessly flowing from haunting atmospheric Dark Ambient interludes to Industrial synth-driven, unrelentingly concussive symphonic Black Metal.
A descent into pure Black Industrial, raw, hostile, and apocalyptic. With its relentless riffing, cavernous atmospheres, and urgent ferocity, the album channels a vision of absolute destruction. Lim. 300x.
De Arma dive deeper into seven elaborate and personal, nevertheless unhamperedly erupting visions of obsessive feelings and ruminations. This is the soundtrack for the final days when you sit lonely in your room.
While the Swedes shift musically in and out and between melancholic Metal, Gothic Rock, Shoegaze, and even Post-Punk, melancholy remains the duo's anchor point, haunted by the long winters' darkness high up North.
The soundtrack to total death, “Promulgation Of The Fall” will be recognized as a Death Metal pillar that will define the true essence of the genre and will stand as a defining milestone and a destined classic in the realm of true Death Metal.
Captured live upon rehearsal sometime in June 2005, completely unedited, devoid of overdubs and any mixing treatment whatsoever - this is Dead Congregation in its rawest form, performing tracks that would later appear on "Graves..." in their final form.
The soundtrack to total death, “Promulgation Of The Fall” will be recognized as a Death Metal pillar that will define the true essence of the genre and will stand as a defining milestone and a destined classic in the realm of true Death Metal.
"Force Form Free" is spacey and dreamy at times, grimly propulsive at others, and captures one of the most important bands in modern Heavy Psych continuing their effortless exploration of the transporting, astral-gazing form they've devised.
One of this generation’s definitive Neo-Psychedelic works, and one which helped to catalyse a burgeoning underground Psych scene to whom its occult sonic belligerence became a crucial and highly-lauded touchstone. Lim. 1000x.!
The world is brutal but there are cherry trees in blossom. This is the philosophy that underpins Deadletter, and their bruising, beautiful debut album "Hysterical Strength".
The world is brutal but there are cherry trees in blossom. This is the philosophy that underpins Deadletter, and their bruising, beautiful debut album "Hysterical Strength".
Post Black Metal. Deafheaven’s music at its best represents a brilliant collision of beauty and despair. A tsunami of noise, swelling and crashing like waves sent from Poseidon amid a vast ocean.
Originally only available on cassette tape and digitally, this is Deafheaven's demo remastered by Jack Shirley (Loma Prieta, Comadre). A melding of epic Post Rock leanings with experimental Black Metal and classic era "Screamo".
Deafheaven are no longer toying with the juxtaposition of pitting metallic abrasion against swirling grandeur. "Infinite Granite" is a bold and brave leap forward into Shoegaze territory, a gorgeous and invigorating album brimming with style and splendor.
The long-awaited reissue of this pivotal release celebrates its tenth anniversary with a fresh shine and coat of paint – a newly remixed and remastered sound by original producer Jack Shirley with available spacial audio, and revised packaging.
Deafheaven’s most mature and complete work to date - a synthesis of everything, playing to the band’s strengths while wearing its unironic heart on its sleeve.
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
Dear Deceased's heavy, rhythmic sound and complex arrangements took form out of the ashes bands whose members were influenced by everything from West Coast crossover Thrash to Post-Punk, Glam Rock, Industrial, Grunge, British Heavy Metal and Sabbath!
In 2024, to celebrate the 40th Anniversary of The Cult, Ian Astbury and Billy Duffy have curated the previously released Death Cult collection "Ghost Dance", and recompiled the tracks for a 2024 release titled "Paradise Now".
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
Recorded at the iconic Albert Hall in Duffy’s hometown of Manchester on November 18th, 2023, this 16-track live album documents the rebirth of Death Cult, the band which laid the groundwork for what we now know as The Cult.
After years of lurking in the deepest, darkest corners of the underground, DLM spews forth 45 minutes of relentless Black Metal Magic. An album that will divide the herd with its unabating fury, maniacal madness and theatrical grandeur.
"Si monvmentvm..." marks the start of DSO's ambitious trilogy, completed 9 years later, which represents a massive departure in sound from the band's previous work in a pursuit of far more avant-garde and experimental directions in Black Metal.
"Si monvmentvm..." marks the start of DSO's ambitious trilogy, completed 9 years later, which represents a massive departure in sound from the band's previous work in a pursuit of far more avant-garde and experimental directions in Black Metal.
"Paracletus" closes the circle of the hallucinating sound of dissonant violence and menacing splendour, exploring the depths of abjection and corruption of the other worlds.
"Paracletus" closes the circle of the hallucinating sound of dissonant violence and menacing splendour, exploring the depths of abjection and corruption of the other worlds.
The appendix EP to the album "Paracletus". “Drought” has the sour taste of the inexorable; it is a musical journey through the last moments before disaster hits. This recording displays some of the most lethal song writing by Deathspell Omega.
“The Furnaces of Palingenesia” is Janus in the midst of the 9th circle of Hell; a prophetic abomination recorded on gear ante anno 1984 vomiting 2084 in the shadows of the horns. 11 songs, 45 minutes, recorded live and mixed on analog gear, 2018.
This 12" LP, complete with printed innersleeve and poster, gathers the two long pieces previously released on the "From the Entrails to the Dirt" split and "Crushing The Holy Trinity" compilation.
Material from the splits with Mütiilation and Moonblood and the "Black Metal Blitzkrieg" compilation from the early part of the '00s, with the songs coming from two distinct recording sessions and offering an interesting look on the pre-Aspa era.
Stand witness to The Long Defeat! Hearken to the first emanation of DSO Era III; 44 minutes of Black Metal enacted through five instalments. Recorded live by the French power trio in July 2021. Bile and venom distilled and added until the leaves fell.
Stand witness to The Long Defeat! Hearken to the first emanation of DSO Era III; 44 minutes of Black Metal enacted through five instalments. Recorded live by the French power trio in July 2021. Bile and venom distilled and added until the leaves fell.
This 2025 edition includes "Diabolus Absconditus" and "Mass Grave Aesthetics", bringing together on silver disc the two long pieces previously released on the "From the Entrails to the Dirt" split and "Crushing The Holy Trinity" compilation.
A split release which gathers two independent yet complementary by these two French Black Metal bands. Comes in gatefold cover, with printed innersleeves, on heavy vynil.
Previously joined only on vinyl, this CD edition brings together Death Spell Omega's "Chaining the Katechon" and S.V.E.S.T.'s "Le Diable est ma Raison", thus gathering two independent yet complementary works by these French Black Metal bands.
Perfectly memorable, "Ark of Thought" is arguably Deinonychus' final chapter in its first era, where melancholy held centerstage in the atmosphere that permeated the album.
"Deinonychus" follows a short hiatus and finds Marco Kehren enrolling WAS of December Moon / The Blood Divine on drums. Although still very much an overwhelmingly melancholic exercise, there's a glimmer of new found anger to the unique Doom / Black sound.
A hallucinating journey into the meanders of your innermost pain has been built, completely inspired by September the 11th, 2001. Five columns to the darkness for your last and most obsessive nightmare.
A monument of grief and melancholy celebrating Deinonychus’ 10 years career. “Mournument” includes also the Candlemass’ classic "Ancient Dreams”, performed in a magnificent suicidal dress and true to Deinonychus' tradition.
Deinonychus return after 10 years of silence and celebrating 25 years of career. A mere spiral downwards infested with murder, vengeance and suicide. An ode that will take you down, leaving you soulless and numb.
Originally released in 1995 on Cacophonous, Deinonychus' debut is one of the earliest glances into the abyss of Suicidal Black Metal, with many of the elements that would become essential to the genre.
A brilliant sophomore release, "Weeping..." delivers Deinonychus' vision in sharp focus, with overarching choral synths and unsettling vocals looming over a dramatic gothic façade. Somehow inching closer to Funeral Doom, yet in a far more unsettling tone.
It is the new chapter of the Apocalyptic Dark trip towards the end of Deinonychus. This pure Black/Doom album was the band's heaviest album thus far would also come to prove their most controversial.
An unrelenting storm of icy riffs, anguished vocals, and despair-laden atmosphere, "Fatalist" is a ferocious declaration of nihilism and personal reckoning built on years of crafting soul-crushing and thought-provoking Black Metal. Lim. 100x.
23.00EUR • approx. 33.4USD [ new : recommended ] : [ add to cart ]
An unrelenting storm of icy riffs, anguished vocals, and despair-laden atmosphere, "Fatalist" is a ferocious declaration of nihilism and personal reckoning built on years of crafting soul-crushing and thought-provoking Black Metal. Lim. 400x.
Hellbilly is back! Their sound is still special, combining a unique style with elements from Rockabilly, Punk, hellish Rock'n'Roll up to countryesque moods and dark Blues, all trademarked with Sparky's graveled venom dripping vocals. 180g vinyl.
Hellbilly is back! Their sound is still special, combining a unique style with elements from Rockabilly, Punk, hellish Rock'n'Roll up to countryesque moods and dark Blues, all trademarked with Sparky's graveled venom dripping vocals. 180g vinyl.
A highly captivating and first rate release from Demons My Friends that offers genuine thrills and spills within the LOUD VOLUME department... This album delivers on all fronts.
Der Blutharsch and the Infinite Church of the Leading Hand (Austria)
The 1st full album under the new/extended name and the stunning collaboration with Aluk Todolo! Dark, dirty, dangerous! Intoxicating sludge Rock. Heavy black vinyl in metalic foilbloked gatefold, limited to 600 copies.
The 1st full album under the new/extended name and the stunning collaboration with Aluk Todolo! Dark, dirty, dangerous! Intoxicating sludge Rock. In metalic foilbloked Digipak with stunning artwork.
"Today I Want To Catch Clouds" collects songs and sounds that Der Blutharsch and the Infinite Church of the Leading Hand did over the last 5 years for various occasions. It contains remixes and collaborations but also some little kinky weirdnesses. Enjoy!
Albin Julius and co. takes us on yet another spacetrippin' intergalactic ride. Psychedelia, sleazy rock and groove come together on this joyride! Blue vinyl, lim. 250 copies. Includes also the CD version of the album.
Albin Julius and Marthynna join forces with Michel Kirby, Marc De Backer (Mongolito, Mucky Pup) and von Burtle, for a darker, doomier and more despondent take on their recent Kraut Rock experimentations. Black vinyl, lim. 250 copies.
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