"Sancì una pausa di riflessione tra gli elogi della magniloquenza più ostentata chiamati “Let Us Lead” e “Back In Control” (BU#6) che l’avevano preceduto questo terzo album, “Mother Of Di(...)"
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">>>" definitely sounds like a step forward. The production and feel of the first two albums was like listening through frosted glass; a band playing behind a curtain. Now we are hearing Beak> in sharp focus, without forfeiting its ‘wrongness’.
Sometimes a band can be no more than the sum of it's parts, but BEAK> are an equation in which it's impossible to define equivalents or totals. Instead the meeting of three talent's form a foundation from which idea's assimilate and propagate.
Hot on the heels of his Quakers Hip Hop project, and the Judge Dredd inspired / Drokk soundtrack collaboration, Geoff Barrow unveils the second Beak> album, the Krautrock inspired band formed with Billy Fuller and Matt Williams!
Often a band can be no more than the sum of its parts, but Beak> are an equation in which it’s impossible to define equivalents or totals. Instead the meeting of three unique talents form a foundation from which ideas assimilate and propagate.
Beak> deliver another taste of a different moment, suspended in stasis and simultaneously rushing towards the vanishing point on the horizon, crafted with zero expectations and just by playing together in a room.
An ambitious follow-up remix mini album to the acclaimed "A Worthy Compensation", which features "She Cried", one of the centre pieces of the album in various remixes, plus an assortment of remixes from various tracks of their killer comeback album.
"Darkness Falls Again" has all the ingredients that make Synth Pop great. Catchy songs that make the legs twitch, a dash of melancholy, a pinch of irony, and a knife-tip of anger – music with a meaning.
Beborn Beton follow directly in the wake of their ninth album "Darkness Falls Again", widening the musical range of the album with three new tracks and four remixes, while staying true to its spirit both in lyrical content and music.
Bedless Bones carries the spirit of Dark Wave and Cold Wave, but also incorporates elements from other genres and contemporary sound design in a nocturnal journey of darkness and light. Recommended!
„After Malaise“ is the remix album of Bedless Bones‘ debut release „Sublime Malaise“ (released in September 2019), in a limited and hand-numbered edition of 200 pieces. It features 8 remix versions and two brand new tracks.
Ranging over themes of courage, fear, rebirth, growth and sanctity, "Bending the Iron Bough", the second album by Bedless Bones, creates a realm of alternative myth and lore through nine unique songs where cool electronic textures court ethereal ambience.
Transcendental, atmospheric dark industrial techno EBM. “Mire of Mercury” sees Bedless Bones in top form. A captivating release and one of the absolute highlights in the genre this year!
Bedless Bones carries the spirit of Dark Wave and Cold Wave, but also incorporates elements from other genres and contemporary sound design in a nocturnal journey of darkness and light. Extended version with 4 bonus / remixes!
A Serbian electronic four-piece band that was formed in the capital of the former Yugoslavia in 1980. Influenced by acts such as Kraftwerk, Human League, Depeche Mode and Ultravox, they played a pioneering role in the Yugoslav Synth-Pop scene.
Hard-edged yet melodic, danceable and very much song rather than soundscape-driven, "Model Kollapse" carries traces of Post-Punk electronic Dance music pioneers such as DAF, Front 242 and Skinny Puppy, as well as his own oeuvre.
Hard-edged yet melodic, danceable and very much song rather than soundscape-driven, "Model Kollapse" carries traces of Post-Punk electronic Dance music pioneers such as DAF, Front 242 and Skinny Puppy, as well as his own oeuvre. Lim. 500x.
An all new EP by the solo project from the Front Line Assembly mastermind Bill Leeb, featuring one all new, exclusive song and 5 brilliant remixes by long-time bandmate Rhys Fulber and Dream Bullet, co-producer of Leeb's 2024 "Model Kollapse".
This highly-anticipated and truly original crossover record goes where Techno has never gone before. Guitars and vocals are featured prominently, alongside a wall of modular synths to create solid machine-driven grooves and atmospheres.
A captivating concept album from these COIL collaborators that evokes reflexion as polyrhythmic percussion, layers of sampled flute sounds or manipulated voices provoke an altered state of consciousness.
BSP initially acquired renown with their impressive stage performances at COIL live shows. The whole album boasts a rather oppressive and wintry mood, characterised by experiences with death, drugs and sex, and also includes Jhonn Balance‘s edited voice.
Blonde Redhead relinquishes conventional song structure to explore a quasi-Art Rock side, with their odd mix of Post-Punk angularity, Ambient trippiness and the sugarcoated vocals of Kazu Makino.
"Fake..." has a lot of the ferocity and dischord of Blonde Redhead's first two albums, but each song has these amazingly catchy grooves that will no doubt get stuck in your head, with their early Noise-Rock/No-Wave sound taking on traces of Dream Pop.
Made over a year between New York and Stockholm together with production duo Van Rivers and The Subliminal Kid (see also Fever Ray and Glasser), "Penny Sparkle" shows the band shedding another skin, adding a glacial elegance to their arsenal. 180gr vinyl.
"Barragán" comes alive with exuberant and sensual vocalizations, surrealist lyrics, discreet notes of electronics, Folk and found sounds, in a magical whole that confirms Blonde Redhead as one of the most fascinating bands of our times.
Using basic instruments, melodies, and rhythms, the recording, the instrumentation, and the general presentation of each song create intricately layered, provocative, and genuinely emotional songs.
Feral Art Rock from the gritty depths of '90s Manhattan. Japanese-Italian guitar symphonies for 120 Minutes refugees and Keith Haring enthusiasts alike. Blonde Redhead's self-titled 1995 debut as a definitive single LP for the first time since... ever.
Art-house kosmische from the battered basements of pre-9/11 New York. Polyrhythmic screamo for unemployed Gen-Xers and trust fund weed dealers alike, which switches between emotional grandeur and eye scratching immediacy.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
An immersive, meticulously crafted album which appropriately serves an expression of persistent togetherness, a testament to the unique internal logic Blonde Redhead have refined over their three-decade existence, and perhaps their strongest to date.
Dreamlike, intimate, and a slightly surreal, "The Shadow of the Guest" offers a fresh lens on the world of "Sit Down for Dinner" and beyond, inviting listeners to tap into the sense of wonder and childlike emotion that run through the band’s work. 2500x.
Epitomizing their Cosmic essence and Experimental nature, "Timezero..." reveals an alternate dimension for experiencing the mind-bending songwriting of Blood Incantation´s dense & otherworldly sonic landscapes in an archaic planetarium soundtrack.
"cords. wires" is like inserting your head in a television set showing re-runs of "Lost In Space", intermingling lazily into the next one, bringing new little, warped melodies to your baffled ears.
Bogus Blimp combine the dark 30's of Europe with the avant-gardism of our times' Rock'n'Roll into a genre of its own making: Cabaret Core, Silent Movie Punk, or Horror Pop.
Surfacing shortly on the far side of the fjord, Bogus Blimp leaves yet another fine album in your care. Completing a three record cycle this is the final audio release from the Bogus Blimp Collective.
"Thin Skies" zooms forward where previous album “Fragments” (now deleted – few vinyls still available) left off. The nine songs combine a driving, dancefloor pulse with soulful, melodic Post-Punk, yielding results that are positively anthemic.
"Thin Skies" zooms forward where previous album “Fragments” (now deleted – few vinyls still available) left off. The nine songs combine a driving, dancefloor pulse with soulful, melodic Post-Punk, yielding results that are positively anthemic.
A remix album based off the success of their “Thin Skies”, boasting a stunning remix by Nine Inch Nails collaborator Chris Vrenna, as well as a remarkable cast of contributors, including Twin Tribes, Martial Canterel, Kanga and William Faith.
“Paradise” marks a departure from the manic percussion and guitar-driven energy of the artist’s angular Post-Punk roots to a more electronic and immersive soundscape, which borrows greatly from 1980’s musical output.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
“Paradise” marks a departure from the manic percussion and guitar-driven energy of the artist’s angular Post-Punk roots to a more electronic and immersive soundscape, which borrows greatly from 1980’s musical output.
Bracco has the kind of smooth and wet skin labels can't stick to. Still, they let their music be haunted by ghosts of the dark wave family. They fancy Psychic TV, DAF, Suicide, Throbbing Gristle.
Brian Eno, Holger Czukay, J. Peter Schwalm (UK / DE)
32.00EUR • approx. 46.4USD [ new : recommended ] : [ add to cart ]
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
A document of a unique – if until now little-known – performance given by Brian Eno, Holger Czukay & J.Peter Schwalm. The album distils the highlights of what ended up a three-hour improvised show.
"Instinct" meanders through Minimal Synth and Folk, Techno and Industrial, grabbing handfuls of the worst vibes from each genre and combining them to form a slurry of miserable vocals and beats both druggy and danceable without an hint of irony.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger.
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger. Lim. 300x.
With "Deep Hate", Dwyer delivers his most visceral and refined work to date. These four new tracks are a ferocious suite of Industrial Pop anthems, relentless and propulsive, yet steeped in an atmosphere of detachment and longing.
With "Deep Hate", Dwyer delivers his most visceral and refined work to date. These four new tracks are a ferocious suite of Industrial Pop anthems, relentless and propulsive, yet steeped in an atmosphere of detachment and longing.
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Douglas Dare 
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