"Sopraano Alessandra Santoviton ja bassotaiteilija Francesco Forgionen esikoinen The Garden of the Hesperides tuudittaa maailmaa neoklassisen kamarimusiikin ja tummasävyisen ambientin myötävaikutuks(...)"
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At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
At a crossroads between soul-rousing Rock'n'Roll, eloquent Folk, graveyard Americana, and psychedelic bliss, the Louisiana troubadour absorbs the spirit of his home state in threads of droning slide guitar, naked vocals, and blood-soaked poetry.
An expansive and intensely emotive hybrid of Ambient Electronica, Modern Classical and panoramic Post-Rock that delivers a seismic collision of old and new, of sounds organic and electric, that explores our insatiable fascination with technology.
A monumental piece to capture and soothe the mind during this tumultuous cultural era. With a masterful grasp on tension-building and release, it’s a hypnotic lullaby and explosion in one, stretched over a singular sonic experience.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
Brume organically blends Doom Metal, Goth and Indie Rock into often monolithic, and at other times delicate blend of dark heaviness. Weaving soaring melodies over melancholic Doom Pop generates songs intimate and haunting yet also massive and crushing.
"Instinct" meanders through Minimal Synth and Folk, Techno and Industrial, grabbing handfuls of the worst vibes from each genre and combining them to form a slurry of miserable vocals and beats both druggy and danceable without an hint of irony.
The debut album by Belgium's heavy atmospheric three-piece, a powerful and thrilling blend of Punk, Rock, Indie and Hardcore, with a twist of Mogwai. Includes download code.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
The first part of "The Destroyer", which is comprised of eight driving, anthemic songs, highlights Industrial and Dream Pop influences, with Alfons' knack for shimmering sounds and powerful vocals heavily on display.
With all touring canceled in 2020, Brutus wanted to share their favorite live performance set with highlights from their first two albums. Live in Ghent was recorded and filmed at their' hometown show at Handelsbeurs Ghent, Belgium in May 2019.
"Unison Life" is about all the things that wear you down from the start. It's about the hideousness, the pain, and the acts of courage to get through it all. A striking example of a band pushing boundaries and at the peak of their power.
A complete live concert movie and album, in sixteen songs, ninety-two minutes. This is "Live in Brussels", a testimony of three years of touring "Unison Life" across more than 20 countries and almost 200 shows! Lim. 1200x.
Heavy avant Post-Punk featuring trio of Italian luminaries and Eugene S. Robinson from art noise legends Oxbow, for fans of Oxbow, early Swans, Shellac or Jesus Lizard.
Buñuel stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” covers from Post-Hardcore to Avant-Noise, Hard Blues to Post-Industrial, and more!
Buñuel stretch their musical tendrils towards discomfort, surrealism and the deconstruction of tradition, as they reach absolute abandon. “Mansuetude” covers from Post-Hardcore to Avant-Noise, Hard Blues to Post-Industrial, and more!
Recorded back to 1993, this holds Varg's last recordings before imprisonment. It depicts two radically different sides - on one hand, a raw yet highly atmospheric Black Metal, on the other a completely Ambient / Electronic work on the last two tracks.
Burzum's 3rd work, originally recorded in 1992 and released two years later. A longstanding classic in the Black Metal genre, "Hvis Lyset Tar Oss" was conceived as a concept album.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
According to Varg, yet another return-to-the-roots album, with a strong focus on atmosphere and wholeness rather than anything else and special emphasis on the lyrics (a total of 66 stanzas have been written for the album).
Similar to Burzum’s previous Ambient albums, but differing in style and vocal expression. Haunting story telling channeled through distinct vocals combined with Varg’s compositions, inspired by his in-depth knowledge of European history and evolution.
"Burzum / Aske" gathers the self-titled debut, depicting the project's early days with a very raw and primitive approach to Black Metal reminiscent of early Bathory. 180gr. vinyl.
Much like "Dauði Baldrs", and also recorded during imprisonment, "Hliðskjálf" continues to blend Medieval and Neoclassical motives inspired by Norse mythology into Varg's minimalist synth Ambient compositions.
The working title for the next Burzum album is "Thulêan Mysteries" and it has a Thulêan theme. The intention of the album is to be background music for the MYFAROG game session. It might well work for other situations too...
Burzum's fifth album was conceived and recorded in jail, using a synthesizer (the only instrument available to him at the time). It strays away from the early Black Metal sound in its mix of medieval music, ambient, neoclassical and minimalism.
"Det Som Engang Var" (Norwegian for "What Once Was") is Burzum's second studio album, recorded in April 1992. "Det Som..." would come to feature a slightly more polished sound and is often considered as one of the main landmarks in Norwegian Black Metal.
Genre-defining early Black Metal from Count Grishnack. Simple, and often suffocatingly feral with ghoulish distorted screams garbling any message but the mood: sadness.
"Burzum / Aske" gathers the self-titled debut, depicting the project's early days with a very raw and primitive approach to Black Metal reminiscent of early Bathory, and an EP whose original cover was a photo of one of the churches burnt down by Varg.
"Fallen" can be compared to the music on the groundbreaking "Det Som...", and although it follows "Belus" in sound and structure, it is also more dynamic and hard hitting, holding an even bigger sound while carrying Burzum's trademark melodic lines.
Burzum's 3rd work, originally recorded in 1992 and released two years later. A longstanding classic in the Black Metal genre, "Hvis Lyset Tar Oss" was conceived as a concept album.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger.
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
A mass of jagged synth lines and pounding drum machines, a testament to Marc Dwyer's personal sonic exploration over time. "Chroma" was Buzz Kull's seminal debut album, and transcends the traditional archetype of Darkwave by pushing Pop sensibilities.
Traversing EBM, darkwave and goth sounds with ease, "New Kind Of Cross" traverses much darker waters than Dwyer’s last effort and deals explicitly with themes of isolation, introversion and sometimes anger. Lim. 300x.
With "Deep Hate", Dwyer delivers his most visceral and refined work to date. These four new tracks are a ferocious suite of Industrial Pop anthems, relentless and propulsive, yet steeped in an atmosphere of detachment and longing.
With "Deep Hate", Dwyer delivers his most visceral and refined work to date. These four new tracks are a ferocious suite of Industrial Pop anthems, relentless and propulsive, yet steeped in an atmosphere of detachment and longing.
Buzzkill draw on Industrial, Synth-Punk and Cold Wave to shape a sound defined by saturated bass, nervous mechanical rhythms, icy synths, and a dense vocal presence. Their universe is cold, immersive, and intensely charged.
Buzzkill draw on Industrial, Synth-Punk and Cold Wave to shape a sound defined by saturated bass, nervous mechanical rhythms, icy synths, and a dense vocal presence. Their universe is cold, immersive, and intensely charged. Lim 200x.
Featuring 80min of exclusive music by Fellwarden, By the Spirits, Osi and the Jupiter and Mosaic, the four artists come together in celebration of creativity, place, and spirituality – all drawn by a common goal and linked vision.
The creative intention behind "We are Falling" is to convey spiritual paths that lead back to nature, which we can only preserve through active (re)action. To this end, By The Spirits makes use of a wonderful folk aesthetic. Reissue with bonus tracks.
A new project by members of Horna and Behexen, Bythos combines cold melodies and versatile riffs, creating rich and numinous landscapes which encounters powerful and vicious liturgies, often bringing to mind the brilliant work of Dissection.
This album builds upon the foundations laid by its predecessor, delving faster, fiercer and deeper into the abyssal mysteries. Within these currents, "Chthonic Gates Unveiled" morphs into a merciless entity, transcending the boundaries of sound and words.
Dubbed a "paranoid, claustrophobic masterpiece", "Red Mecca" has been considered one of the best Industrial albums of all time, with the use of echo, space and phasing lending depth and vibrancy to the album.
Quite dramatic and atmospheric, Caesar Romero does recall legendary soundtracks from composers such as Wendy Carlos and Bernard Herrmann. Overall electronic based, the musical expression is strange and dark with a frequent use of classical music elements.
Caldon Glover uses a blend of primitive acoustic Folk instruments, as well as organic and electronic sound sources to create an ancient and timeless sound that evokes feelings of the rituals of a cthonic cults lost in other realms. Lim. 300x.
On sound structures that are formed by an elegant dance of guitars and piano, ethereal voices weave a world animated by intense and lemotional exchanges between human and non-human beings. Lim. 300x.
Originally released on Hyperium in 1991, this is the second in a series of re-releases of classic albums by Electro-Industrial cultact Calva Y Nada! Lim. 500x.
Their second and most likely best work. Barroque-verged Neo-Classical compositions with martial outlines from this fine Italian outfit. Re-released in a digipak with 16-page booklet, incl. a bonus CD 5 rare tracks.
For "Madrigali", CM have collected songs of various origins to pay tribute to the heritage of old Europe with their classical-inspired interpretations. Re-issued in digipak with 16-page booklet and bonus CD with 5 rare and unreleased tracks.
Re-release of the first Camerata Mediolanense album, "Musica Reservata", in a Digipak with 16-page booklet, incl. a bonus CD with rare and unreleased tracks. Genuine Medieval anthems, with strong percussions and baroque influences.
5 years in the making, CM continues to proceed on its path, mixing archaic, traditional and tribalistic music with experimental and electronic sounds. A conceptual work based on the poetry of 14th century scholar, poet, and humanist Francesco Petrarca.
A beautiful return for Camerata Mediolanense. A dense, lush work that places the piano in the foreground and uses a strict musical language of tonal harmony which is out of fashion nowadays and thus immerses the listener in the sounds of centuries past.
A return to their 'classic style', relying heavily on strong percussions and orchestral keyboards that serve as the backbone for the soaring melodies and harmonious choirs delivered by the three sopranos that are now part of the line-up.
A return to their 'classic style', with bombastic percussions and orchestral keyboards, and soaring melodies and harmonious choirs. 2CD hardcover book (18x18 cm, 48 pages) with lyrics and enhanced artwork + bonus CD with 4 additional tracks.
A return to their 'classic style', relying heavily on strong percussions and orchestral keyboards that serve as the backbone for the soaring melodies and harmonious choirs delivered by the three sopranos that are now part of the line-up.
10 heart-pounding tracks, combining pain and melancholia with fun and nostalgia, with strong elements of early 80's Dark Disco and Synth-Pop that are wrapped in a modern Darkwave twist, in Camlann's own interpretation of the early 1980's.
10 heart-pounding tracks, combining pain and melancholia with fun and nostalgia, with strong elements of early 80's Dark Disco and Synth-Pop that are wrapped in a modern Darkwave twist, in Camlann's own interpretation of the early 1980's.
"Out of Reach" was the second album to feature percussionist Reebop Kwaku Baah and bass player Rosko Gee, both of Traffic, and continues to explore a new musical direction, inspired by Disco and Latin Rock.
"Can", also known as "Inner Space" is the tenth studio album by Can, released in 1979. This was the final Can album until 1989’s "Rite Time", and comes on 180g vinyl.
Considered by many the finest Can album, "Future Days" was the fifth studio album by Can. It is the last album to feature Japanese vocalist Damo Suzuki, exploring the Ambient direction introduced on "Ege Bamyasi".
The iconic 1986 Doom Metal classic opus, featuring remastered audio and presented in the original artwork. Every track is undeniably strong - Heavy Metal riffs blended with almost neo-classical touches, plus some theatrical elements.
Inspired by the wilderness of Québec, the Occult, death, and fear, Cantique Lépreux creates music that is at times grim, at other times melancholic; a work born of passion, paying homage to the legends of Black Metal.
Inspired by the wilderness of Québec, the Occult, death, and fear, Cantique Lépreux creates music that is at times grim, at other times melancholic; a work born of passion, paying homage to the legends of Black Metal.
A tale of self-initiation, a rejection of society, and a glorification of nature - manifested in their signature style of swirling tremolo-guitar-riffs, tortured screams, and elaborate melodicism that define their Métal Noir Québécois.
A tale of self-initiation, a rejection of society, and a glorification of nature - manifested in their signature style of swirling tremolo-guitar-riffs, tortured screams, and elaborate melodicism that define their Métal Noir Québécois. Lim. 500x.
Cold Black Metal for the ages, based on fast and atmospheric Black Metal, "Paysages Polaires" balances between beautiful and harsh dirges in combination with the conceptual middle trifold of songs based around the North American winter.
The third studio album by Post-Punk Art Rock legends, featuring the classic six-piece line-up for the last time. A testament to Tim Smith’s experimental genius. Now, having undergone an Abbey Road remastering, for the first time on vinyl since 2007.
"Vitriol" takes the band’s signature blend of aggressive beats, distorted synths, and dark atmospheres to a new level, with themes that delve deep into alienation, violence, and control set against a ferocious blend of EBM, Dark Techno, and even Glitch.
Solo project by Swiss musician/producer Carlo Onda based in St. Gallen, with a long-standing soft spot for synths and drum machines, and frankly influenced by the Post-Punk, Minimal-Wave and Dark Wave of the 80’s.
"Eurorama" incorporates altered versions, retakes, reworkings, remixes and lost tracks that glitch in and out of the Lomographic universe that Onda had originally envisioned back in 2023. Lim. 200x.
Official reissue of this outstanding work. A haunting, wistful work of Post-Industrial synthesizer music by the late Nocturnal Emissions co-founder, which holds a richly cinematic soundworld exploring Industrial, Minimal Synth and Proto-Techno.
The debut album by Italian ritualistic doomsters Caronte, fronted by the brilliant vocalist Dorian Bones and with its fair share of psychedelia. Inc. one bonus track.
A huge change regarding sound and vibes for Caronte. The introduction of a second guitar and several synth related to the lyrics treating forces and cosmic entities mark a new era for the band with their most atmospheric and evocative album yet.
Italian Shamanic Doom Metal entity invited Our Survival Depends On Us, Fides Inversa, Schammasch and King Dude to take part in this new collaboration EP.
Italian Shamanic Doom Metal entity invited Our Survival Depends On Us, Fides Inversa, Schammasch and King Dude to take part in this new collaboration EP.
New release by Caronte, who inch closer to a Damned / Danzig flavor of Occult Rock on this new release. Perhaps one of the best kept secrets in the genre!
A fresh dose of Electro-Pop, by this member of IAMX's live band. Carrellee offers a dance-floor friendly mixture of Electro, Synthpop, Ddarkwave and Dreampop, with a little bit of Italo-Disco thrown in here and there for good measure. Lim. 250x.
A fresh dose of Electro-Pop, by this member of IAMX's live band. Carrellee offers a dance-floor friendly mixture of Electro, Synthpop, Ddarkwave and Dreampop, with a little bit of Italo-Disco thrown in here and there for good measure. Lim. 250x.
Cold beats, shimmering synths, and haunting vocals create songs that feel both fragile and danceable, in a dark yet captivating blend of Darkwave, Post-Punk, and 80s synth melancholy. A strong, atmospheric debut that turns darkness into emotion.
Cold beats, shimmering synths, and haunting vocals create songs that feel both fragile and danceable, in a dark yet captivating blend of Darkwave, Post-Punk, and 80s synth melancholy. A strong, atmospheric debut that turns darkness into emotion.
A hauntingly beautiful blend of Darkwave and Synth-Pop, drenched in melancholy and cinematic atmosphere. The album feels like a midnight confession — intimate, nostalgic, and ghostly in tone. Lim. 350x.
A hauntingly beautiful blend of Darkwave and Synth-Pop, drenched in melancholy and cinematic atmosphere. The album feels like a midnight confession — intimate, nostalgic, and ghostly in tone. Lim. 350x.
The highly anticapated debut record from the New York Fantasy Doom rockers! True to the band’s ethos, Into the Realm was recorded in an abandoned Philadelphia church the band temporarily converted into a studio.
A riff-laden compendium of mystical creatures and cautionary tales from a world forgotten, telling allegorical tales of mythic beasts and the Wizard who summons them, weaving powerful heavy anthems and dark enchantments in a bewitching Metal odyssey.
A riff-laden compendium of mystical creatures and cautionary tales from a world forgotten, telling allegorical tales of mythic beasts and the Wizard who summons them, weaving powerful heavy anthems and dark enchantments in a bewitching Metal odyssey.
A riff-laden compendium of mystical creatures and cautionary tales from a world forgotten, telling allegorical tales of mythic beasts and the Wizard who summons them, weaving powerful heavy anthems and dark enchantments in a bewitching Metal odyssey.
A riff-laden compendium of mystical creatures and cautionary tales from a world forgotten, telling allegorical tales of mythic beasts and the Wizard who summons them, weaving powerful heavy anthems and dark enchantments in a bewitching Metal odyssey.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
A riff-laden compendium of mystical creatures and cautionary tales from a world forgotten, telling allegorical tales of mythic beasts and the Wizard who summons them, weaving powerful heavy anthems and dark enchantments in a bewitching Metal odyssey.
Cathedral Bells lean into slowcore influences and weave previously unexplored textures into their Shoegaze sound, capturing the delicate process of nurturing fragmented ideas and gradually distilling them into a cohesive, polished reality.
Cathedral Bells lean into slowcore influences and weave previously unexplored textures into their Shoegaze sound, capturing the delicate process of nurturing fragmented ideas and gradually distilling them into a cohesive, polished reality.
The music of love and grief, songs for the end of love and life. Songs for the dead who live on in hearts and memories. As a seasoned composer for film and theatre, Graindorge understands the power of atmosphere in music and uses it to the full here.
The music of love and grief, songs for the end of love and life. Songs for the dead who live on in hearts and memories. As a seasoned composer for film and theatre, Graindorge understands the power of atmosphere in music and uses it to the full here.
Sebastian, founder of Helrunar, channels his penchant for the earliest works of Paradise Lost and Cathedral as well as the Swedish Death Metal of early Entombed and Dismember into a dark, depressive and massive monolith of ultra-heaviness.
Sebastian, founder of Helrunar, channels his penchant for the earliest works of Paradise Lost and Cathedral as well as the Swedish Death Metal of early Entombed and Dismember into a dark, depressive and massive monolith of ultra-heaviness.
Fluisteraars 
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