"Sancì una pausa di riflessione tra gli elogi della magniloquenza più ostentata chiamati “Let Us Lead” e “Back In Control” (BU#6) che l’avevano preceduto questo terzo album, “Mother Of Di(...)"
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Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
31.00EUR • approx. 45USD [ new : recommended ] : [ add to cart ]
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
A collaboration of Kim Larsen (Of The Wand & The Moon / Les Chasseurs de la Nuit etc.) and Iver Ask Overgaard (My Beloved / Of The Wand & The Moon etc.) of melancholic electronic music from Copenhagen, Denmark. Lim. 300x!
The long out-of-print 2008 album from Oakland-based Stoner Doom trio White Witch Canyon - nine groove-laden songs drenched in blues and fuzz reminiscent of Monster Magnet and Soundgarden.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back. Die-cut splipcase, 12-page booklet and poster.
Basinski's dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations yet never deviating from what defines its essential sentiment...
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski’s most celebrated works, dating back to 1982, spawned from a fruitful evening of live experimentation in the studio after a day of work at the answering service...
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work. Lim. 1500x.
An expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package comes in sturdy full-color jackets, with a new 1000-word foreword by Laurie Anderson housed.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued! Lim. 750x.
Regarded today as a hallmark in the Folk/Viking Black Metal scene, the influence of Windir’s sophomore record is not to be underestimated and could be compared to that of Bathory in its combination of icy riffs and building atmosphere with epic melodies.
While still very much rooted in Black Metal and heavily breathing atmosphere, "1184" marked a stylistic change from its predecessor as Valfar and co-songwriter Hvall stared experimenting with electronic influences.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere.
"The Onlooker" once more employs a raw, fierce Black Metal sound reminiscent of earlier days, and is bound to appeal to those who enjoy the other works of these veterans of the Ukrainian (Black) Metal scene. Lim. 1000x.
"The Onlooker" once more employs a raw, fierce Black Metal sound reminiscent of earlier days, and is bound to appeal to those who enjoy the other works of these veterans of the Ukrainian (Black) Metal scene. Lim. 300x.
Windswept turn historical testimony into sonic ritual. Inspired by The Black Book of Kremenets Castle (1747–1777), the album reconstructs the witch trials of 1753–1754 in Western Ukraine through six movements of stark, visceral Black Metal.
Windswept turn historical testimony into sonic ritual. Inspired by The Black Book of Kremenets Castle (1747–1777), the album reconstructs the witch trials of 1753–1754 in Western Ukraine through six movements of stark, visceral Black Metal. Lim. 200x.
The debut by this Chicago duo finds its guitar work inherently in the vein of Disintegration-era Cure, while injecting electronic elements that would be at home on records by OMD, in a refreshing mix of Electropop, Darkwave, and Goth.
Wingtips sophomore record combines their trademark Gothic sound with a dark, Post-Punk groove. Often described as a mixture of "Disintegration"-era Cure with electronic elements that would be at home on records by OMD.
Legendary Doom Metal icon Scott "Wino" Weinrich (The Obsessed, Saint Vitus, Spirit Caravan) strips it down to the raw essence on his new solo album. A powerful blend of haunting introspection and unshakable conviction.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The re-print (incl. Bonus-Track) of Winter Severity Index’ debut from 2014, mentioned as one of the best New Wave albums of the year by many magazines, both in Italy and abroad. Comes in Different Artwork and including an exclusive Remix by Hørd!
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Finsternis" successfully evokes the eponymous darkness of its German title and frozen cineastic soundscapes delivered in Winterblood's typical, minimalistic style that has been aptly dubbed "Polar Ambient".
The definitive re-release of this early Wire classic! The aim with these re-issues is to approximate the original statements as closely as possible, but with remastered audio and as such the vinyl releases have the same covers and inners as the originals.
The definitive re-release of this early Wire classic! The aim with these re-issues is to approximate the original statements as closely as possible, but with remastered audio and as such the vinyl releases have the same covers and inners as the originals.
With a more sequence based sound, Wir saw the band breaking all their own rules by creating a new sparse electronic music with Graham Lewis singing most of the vocals and even cannibalising their own catalogue by sometimes sampling themselves.
With a more sequence based sound, Wir saw the band breaking all their own rules by creating a new sparse electronic music with Graham Lewis singing most of the vocals and even cannibalising their own catalogue by sometimes sampling themselves.
A new double LP edition of their "Nine Sevens" box set of 7“ records first released in 2018, released for the 2025 Record Store Day. Combining the run of early singles with more obscure later period tracks underlines the strength in depth that Wire had.
A new edition of their "Nine Sevens" box set of 7“ records first released in 2018, released for the 2025 Record Store Day. Combining the run of early singles with more obscure later period tracks underlines the strength in depth that Wire had.
A loving pastiche of the legendary pulp science fiction stories of old, musically packed with aggression and barely tamed electricity adorned with fleetly intricate guitar interplay, subtle synth, and cosmic atmospherics as well as catchy clean vocals.
Witch Ripper unleash the full potential of their stunning ability to deliver captivating melodies, catchy riffs, and merciless hooks in sheer droves, perfectly combining melodic heaviness with pinches of Progressive, Sludge, and other styles with ease.
Witch Ripper unleash the full potential of their stunning ability to deliver captivating melodies, catchy riffs, and merciless hooks in sheer droves, perfectly combining melodic heaviness with pinches of Progressive, Sludge, and other styles with ease.
Wo Fat bring a sludgy Stoner groove to their heavy Blues-Rock sound, characterized by powerful riffs, soulful psychedelia, and long, epic jam sessions. An album stock full of crunchy and heavy riffs, a mind-blowing atmosphere and a strong performance.
Mounting global chaos may have us all darkly fearing the end times, but it has also seemingly created the ideal circumstances for a Hardcore Punk LP as coruscatingly brutal as Wolfbrigade's "Life Knife Death"!
Wolfskin returns with a transcendental new work that expands the project’s long-standing devotion to metaphysical sound into cosmic territory. It distills the essence of ritual music to its purest form: vibration, resonance, and spiritual ascent.
Guitar loops, repetitive beats, synthesizers keys mixed to darkened hypnotic ambient vocal sounds. With "Void", Wolvennest will bring you into mysterious emotions and intense musical feelings.
Recorded at the beginning of the pandemic which was diving humanity in obscure days and an unprecedented situation, every member injected soul, heart, sweat and opened the gates of their temple for this ultimate bewitching occult ceremony.
Wolves In The Throne Room celebrate two decades as one of the most evocative and unique bands in North American Black Metal with the anniversary release of their original "2005 Demo", which served as a prelude to the band's landmark "Diadem of 12 Stars".
Wolves In The Throne Room celebrate two decades as one of the most evocative and unique bands in North American Black Metal with the anniversary release of their original "2005 Demo", which served as a prelude to the band's landmark "Diadem of 12 Stars".
A score composed by Woodkid, performed and co-written by Nils Frahm, for the short filme Ellis by JR starring Robert De Niro, who also appears as a narrator on these recordings over the delicate piano motifs, string crescendos and harmonium swells.
The inaugural issue of Words as Weapons, wherein you may find interviews with several artists that gather under the NoEvDia / End All Life banner. The conversations were conducted by NoEvDia's masterminds, and span across 152 pages, designed by Valnoir.
Worshipper have perfected their grand balancing act between classic Hard Rock and old school Heavy Metal that is empowered to soar high with the injection of a healthy dose of psychedelia.
Worshipper have perfected their grand balancing act between classic Hard Rock and old school Heavy Metal that is empowered to soar high with the injection of a healthy dose of psychedelia.
Worshipper have perfected their grand balancing act between classic Hard Rock and old school Heavy Metal that is empowered to soar high with the injection of a healthy dose of psychedelia.
A Wovenhand concert is an experience in itself. A maelstrom of emotional intensity that one likes to be drawn into. A place of pure catharsis. This serves as an ideal introduction to the unique musical cosmos of the American Folk Rock band.
A Wovenhand concert is an experience in itself. A maelstrom of emotional intensity that one likes to be drawn into. A place of pure catharsis. This serves as an ideal introduction to the unique musical cosmos of the American Folk Rock band.
"The Laughing Stalk" mines the bottomless chasm of a desperate man at the mercy of an inscrutable God; of one standing at the foot of a great mountain, the top of which is shrouded in cloud and mystery.
A moving masterwork that shows Wovenhand exploring louder roots hinted at on prior albums. Ten songs in all, "Refractory Obdurate" plays as a beautifully crafted patchwork that transcends genres and expectation.
A moving masterwork that shows Wovenhand exploring louder roots hinted at on prior albums. Ten songs in all, "Refractory Obdurate" plays as a beautifully crafted patchwork that transcends genres and expectation.
A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
A totally unique record for Wovenhand. All done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the Wovenhand catalog.
A totally unique record for Wovenhand. All done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the Wovenhand catalog. 180 g vinyl.
A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
"The Threshingfloor" lies at the foot of a mountain in the American West. In Wovenhand’s sixth full-length album, soundscape mimics landscape, towering and jagged like high peaks, enveloping like the star-studded dome of the sky.
One of the most unique and interesting projects to come out of Sweden this millennium. Raw, lo-fi, ritualistic Black Metal. Jewelcase version, comes with a 8-page booklet. Co-released with Altare Productions.
One of the most unique and interesting projects to come out of Sweden this millennium. Raw, lo-fi, ritualistic Black Metal. Black vinyl, including a DIN A5 booklet.
Originally released in 2004. Never before has Wumpscut released an album with such war-like percussion, threatening sequences, or "barbed" hooks sharp as knives, like those exhibited on "Bone Peeler". Remastered 20th anniversary edition, lim. 400x.
"Bone Peeler Resilience" celebrates the 20th anniversary of :W:'s "Bone Peeler", featuring all 12 original album tracks remixed by Advent Resilience, the Dutch duo who have already remixed several other of :W: tracks. Lim. 500x.
The all new album, almost 31 years after Rudy Ratzinger's debut album "Music for a Slaughtering Tribe" and one which is sure to join the canon of the Electro-Industrial scene. Lim. 400x copies.
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