"Agnes Toth et Mihaly Szabo viennent d’accoucher d’un petit monstre de beauté. Comme souvent chez Equilibrium Music, chaque nouvelle sortie consacre grâce et charmes acoustiques mêlés, un allia(...)"
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A perfect balance between contradictory poles - an aggressive side with elements of Black Metal that have been transformed into Post-Black Metal contrasts with the light side of Shoegaze, Post-Punk, and Wave, all entwined in an endless dance. Lim. 200x.
Often described as ethereal, gothic, minimal-drone, noir, and dark wave, VV & the Void’s music is the singular celebration of earthly and lucid dichotomy of grace and disproportion, the feminine and the masculine.
Often described as ethereal, gothic, minimal-drone, noir, and dark wave, VV & the Void’s music is the singular celebration of earthly and lucid dichotomy of grace and disproportion, the feminine and the masculine. Lim. 150x.
Often described as Ethereal, Gothic, Minimal-Drone, Noir, and Dark Wave, VV & the Void’s music is the singular celebration of earthly and lucid dichotomy of grace and disproportion, the feminine and the masculine, and the war of consciousness.
Often described as Ethereal, Gothic, Minimal-Drone, Noir, and Dark Wave, VV & the Void’s music is the singular celebration of earthly and lucid dichotomy of grace and disproportion, the feminine and the masculine, and the war of consciousness. Lim. 200x.
Filtering many influences, ranging from Fairport Convention's pastoral prog to the droning doom sound of Earth, through multiple folk traditions and a fondness for the darker side of metal, Völur are both airy and heavy in their own way.
Folk melodies, heathen spirituality and trance-enducing Doom. Moving between high-tension heaviness and beautiful pastoral moods, Völur aims to reflect the world of primordial nature inspired by ancient myths and chilling poems of death and heroism.
Driven by the common vision of creating dark and heavy music built around the use of strings, Doom experimentalists Völur from Toronto and San Francisco's ever-mercurial neo-classical ambient collective Amber Asylum team up for this split release.
Driven by the common vision of creating dark and heavy music built around the use of strings, Doom experimentalists Völur from Toronto and SF's ever-mercurial neo-classical ambient collective Amber Asylum team up for this split release. Lim. 300x.
Driven by the common vision of creating dark and heavy music built around the use of strings, Doom experimentalists Völur from Toronto and SF's ever-mercurial neo-classical ambient collective Amber Asylum team up for this split release. Lim. 200x.
Völur stay true to the Folk Doom style, yet the Canadians have honed their craft by tightened the compositions and uniting all stylistic influences into one cohesive dark musical experience, derived from modern Classical music and free Jazz among others.
"Femundsmarka" chronicles a trek undertaken through the Femundsmarka National Park in Norway. Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of Black Metal.
A special re-recording of their demo, to celebrate the band's 15th anniversary. A chance for the growing legions of Waldgeflüster to nostalgically dwell into wistful early days of the band. The past is indeed alive!
Wallachia is dark, ominous and doom laden with a very unique vocal style that hints of Death Metal. Wallachia bridge both classic and modern Norwegian Black Metal, often resorting to symphonic parts as well as acoustic passages. Lim. 513x.
Wallachia is dark, ominous and doom laden with a very unique vocal style that hints of Death Metal. Wallachia bridge both classic and modern Norwegian Black Metal, often resorting to symphonic parts as well as acoustic passages. Lim. 566x.
"Unlearning" plays out like a musical. While the themes of the album are universally relatable, Walt Disco’s gift is in the unique experience of discovery and heartbreak between queer people.
Originally released in 1973, with an all-star line-up which included Klaus Schulze and Manuel Göttsching, "Tarot" is Walter Wegmüller's only foray into the world of music.
Slow-burning, groove-heavy, and laced with Stoner Metal venom, Warcoe drags classic Doom into the abyss and back with Sabbathian weight, Saint Vitus’ raw gloom, and the swagger of Trouble’s golden-era riffage.
2nd part of a trilogy of albums focusing on the mythology of the 24 runes of the ancient Norwegian alphabet. Ritualistic Pagan Folk with thundering drums, acoustic instruments and chants that evoke the spirits of ancient Vikings and their legends.
An immersive audio arrangement that underscores the experiential paradigm shift and masterful musicianship of their superlative and boundary-pushing virtual live experience "First Flight of the White Raven" of March 26th 2021!
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
Crushing underground Thrash / Death Metal from German worshippers of the legendary Hellhammer. You will find nothing but old-school, rough and simple underground metal in the vein of Hellhammer, Delirium, Usurper, Celtic Frost or Venom. Lim. 300x.
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge. Lim. 999 copies.
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge.
23.00EUR • approx. 33.4USD [ new : recommended ] : [ add to cart ]
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge.
The Swedes’ first 10 years full-length catalogue in one 4-CD set sold at special price. This includes "Rabid Death's Curse", "Casus Luciferi", "Sworn To The Dark" and "Lawless Darkness", complete with 4 bonus tracks and a booklet with all the lyrics!
In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, Watain stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity. Sixth pressing, lim. 400x.
In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, Watain stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity. Lim. 700x.
A melancholic and nocturnal journey into your inner world. Waveshard offer nostalgic and nocturnal Ambient Dark Jazz inspired by the Night with inserts of field recording. Something for fans of Kilimanjaro Darkjazz Ensemble & co. or Dale Cooper Quartet.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
A lesson in plunderphonics. Album no. 13 since the start 25 years ago, this one is something else: a mixtape/mashup to celebrate brilliant bandleader, pianist, mystic, philosopher and Afro-Futurist Sun Ra.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Now making its debut on vinyl, When's "Trippy Happy" brings back a sound that hasn't been heard since the late 60s, as it explores folky pop ballads, banjo lullabies, baroque psychedelia, and industrial cartoon surrealism.
A musical universe made up of the melancholy of The Cure and the onírica textures of Echo and The Bunnymen, mixed with strong Joy Division/New Order influences.
The long awaited debut album by Brussels based Post-Punk outfit, produced by Micha Volders and mixed by Bert Libeert. The band’s first major release since their incredibly successful EP "Endless Party" in 2015.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
31.00EUR • approx. 45USD [ new : recommended ] : [ add to cart ]
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
A collaboration of Kim Larsen (Of The Wand & The Moon / Les Chasseurs de la Nuit etc.) and Iver Ask Overgaard (My Beloved / Of The Wand & The Moon etc.) of melancholic electronic music from Copenhagen, Denmark. Lim. 300x!
White Hills & Der Blutharsch and the Infinite Church... (US / AT)
A collaboration between psychedelic rockers White Hills and Der Blutharsch and the Infinite Church of the Leading Hand, rich with lush textures, fuzzy guitars and ethereal vocals. Blackness from Vienna meets New York psychedelia!
The long out-of-print 2008 album from Oakland-based Stoner Doom trio White Witch Canyon - nine groove-laden songs drenched in blues and fuzz reminiscent of Monster Magnet and Soundgarden.
With "Dommedagskvad", WR have clearly succeeded to combine all elements of the so called “True Norwegian Black Metal” yet perfecting it their own way. It’s nothing new, yet so honest, well crafted and unique sounding it’s hard not to be drawn into it.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back.
The 4th fullenght by the traditionalists of Whoredom Rife is upon us! A celebration of Norwegian Black Metal in 6 brand new hymns of total destruction, darkness and the melancholic beauty of hate and despair, something we as humans are feeling daily.
Basinski's dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations yet never deviating from what defines its essential sentiment...
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work.
In 1966, Burroughs narrated Häxan in his usual style. The extravagant movie, directed by Benjamin Christensen in 1922, draws the parallel between the witch hunts of the Middle Ages and the persecution of women at the turn of the 20th century.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued! Lim. 750x.
While still very much rooted in Black Metal and heavily breathing atmosphere, "1184" marked a stylistic change from its predecessor as Valfar and co-songwriter Hvall stared experimenting with electronic influences.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere.
Windir’s debut "Sóknadalr" was released in 1997, and one can immediately recognize the trademark Sognametal style from this cult classic, featuring the synth melodies combined with raw Black Metal, harsh and clean vocals, inspired by sweeping vistas.
While still very much rooted in Black Metal and heavily breathing atmosphere, "1184" marked a stylistic change from its predecessor as Valfar and co-songwriter Hvall stared experimenting with electronic influences. Lim. 200x.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere. Lim. 300x.
The debut by this Chicago duo finds its guitar work inherently in the vein of Disintegration-era Cure, while injecting electronic elements that would be at home on records by OMD, in a refreshing mix of Electropop, Darkwave, and Goth.
Wingtips sophomore record combines their trademark Gothic sound with a dark, Post-Punk groove. Often described as a mixture of "Disintegration"-era Cure with electronic elements that would be at home on records by OMD.
Legendary Doom Metal icon Scott "Wino" Weinrich (The Obsessed, Saint Vitus, Spirit Caravan) strips it down to the raw essence on his new solo album. A powerful blend of haunting introspection and unshakable conviction.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The re-print (incl. Bonus-Track) of Winter Severity Index’ debut from 2014, mentioned as one of the best New Wave albums of the year by many magazines, both in Italy and abroad. Comes in Different Artwork and including an exclusive Remix by Hørd!
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Finsternis" successfully evokes the eponymous darkness of its German title and frozen cineastic soundscapes delivered in Winterblood's typical, minimalistic style that has been aptly dubbed "Polar Ambient".
Whispering Void 
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