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Jac Berrocal, David Fenech and Vincent Epplay (France)
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
Fifth LP by the trio headed by Nurse With Wound collaborator Jac Berrocal, which furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Lim. 150x.
A beautifully matured and musically experienced version of their characteristic sound, which shows their growth and songwriters and musicians without losing the connection to the titanic fuzz and heavy riffs that helped put them on the map.
A beautifully matured and musically experienced version of their characteristic sound, which shows their growth and songwriters and musicians without losing the connection to the titanic fuzz and heavy riffs that helped put them on the map.
A beautifully matured and musically experienced version of their characteristic sound, which shows their growth and songwriters and musicians without losing the connection to the titanic fuzz and heavy riffs that helped put them on the map.
Jaye Jayle unfurls a tapestry of neo-folk economy, krautrock-esque repetition, skid row’s darkest blues, Midwestern indie rock’s nihilism, and Tangerine Dream’s analog oscillations. A prime candidate for a Twin Peaks season four Roadhouse band.
An astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories.
An astounding collection of musical memories and emotional fragments, all drawn together from previous recording sessions and previous lives in order to chart a cathartic creative course into new, unknown territories. Lim. 100x.
Je T'Aime debut re-released in a completely re-mastered Deluxe edition, containing an exclusive Bonus-track on CD1 and the full-length live album "Live at Gibus" on CD2, recorded in Paris on the 14th September 2019. A Post-Punk / Cold Wave hybrid.
Merging Electro-Clash, New-Wave, and Post-Punk, now deliver their second album. The tone hardens, the atmosphere becomes more melancholic, and the lyrics embrace bitterness and anger. Lim. 500x copies.
Re-issue of "Aggressive" for the Post-Punk/New-Wave Parisian band, augmented with a huge remix album called "Aggression", which revisits the original tracks with a lot of distortion bringing influences such as Nine Inch Nails, Killing Joke, Ministry and s
Weeks of sleepless summer nights in the pursuit of new sounds result in the creation of eleven tracks: the sound of a Post-Punk / Cold Wave hybrid, reminiscent of the great Mancunian Factory era and suffused with hints of the Smiths. Lim. 300x.
Twin release to the highly successful album "Passive". Together with the debut album, these two albums form a triptych on the theme of the Peter Pan syndrome and the difficulty of growing up set to a danceable hybrid of Post-Punk and Coldwave. Lim. 500x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 400x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 400x.
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
24.00EUR • approx. 34.8USD [ new : recommended ] : [ add to cart ]
An expressionist cry, a sad party where the melancholic thrill is always hidden behind illusory comforts. More than ever, it's a flight into the future, a rejection of the dreary conventions of the real world. Lim. 300x.
Naive and sentimental music, as John Adams would put it. A beautiful work of contemporary Chamber Music, which should please fans of Yann Tiersen or Wim Mertens.
A Berlin-based performing Artist, DJ and Producer, who released countless singles, EPs and two albums since 2014 on various labels. She is deeply involved in a Post-Wave-Cold-Pop-Acid-Romance and here new album is the first one for Fabrika! Lim. 300x.
23.00EUR • approx. 33.4USD [ new : recommended ] : [ add to cart ]
A Berlin-based performing Artist, DJ and Producer, who released countless singles, EPs and two albums since 2014 on various labels. She is deeply involved in a Post-Wave-Cold-Pop-Acid-Romance and here new album is the first one for Fabrika! Lim. 300x.
Across eight tracks, filled with arpeggiated synth washes and the kind of lilting beats that might have drifted, loose and unmoored, from some forgotten mid-’90s trance single, "The Practice of Love" feels, first and foremost, compellingly humane.
"Iris Silver Mist" is named after a fragrance made by the nose Maurice Roucel for the French perfume house Serge Lutens, described as smelling more like steel than silver. Much like music, perfume travels through air, both invisible and distinct.
"Iris Silver Mist" is named after a fragrance made by the nose Maurice Roucel for the French perfume house Serge Lutens, described as smelling more like steel than silver. Much like music, perfume travels through air, both invisible and distinct.
"Iris Silver Mist" is named after a fragrance made by the nose Maurice Roucel for the French perfume house Serge Lutens, described as smelling more like steel than silver. Much like music, perfume travels through air, both invisible and distinct.
EBM / Industrial sounds, Post-Punk songs with his own vocals and high-level collaborations make up this work. Undoubtedly a musically mature album that shows the identity of this chameleon-like artist with a career spanning more than 30 years.
The haunting and atmospheric soundtrack for Jarmusch's film Father Mother Sister Brother. Alongside various covers, much of the film's score was born out of improvisation, with Jim and Anika spending hours improvising together.
The haunting and atmospheric soundtrack for Jarmusch's film Father Mother Sister Brother. Alongside various covers, much of the film's score was born out of improvisation, with Jim and Anika spending hours improvising together.
A Slo-mo, Slo-fi, Sewer tech journey into utter gutter level filth. Overdriven, corroded, corrupted and absolutely blasted, it contains so many essential elements of clubland low life, but yet manages to remain beautifully original.
“The Cartographer” is a piece commissioned by the renowned Roadburn Festival, which explores the space where classical instrumentation and contemporary heavy music intersect.
Acclaimed pianist Joep Beving and Berlin-based producer and cellist Maarten Vos share their first collaborative album, released via Nils Frahm’s Leiter label. Lim. 400x.
Inspired by a recording of an IBM mainframe computer which Jóhann’s father made on a reel-to-reel tape machine more than 30 years ago, "IBM 1401" was recorded by a sixty-piece string orchestra which added to incorporated electronics of the original tape.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
A record that harnesses the punch and intensity of their blistering live shows with the band’s increasingly textural, cinematic and expressive sensibilities, redefining and expanding the role, function and parameters of what a guitar and drum duo can do.
Their 3rd collaboration album. “Opalus” dives further into the psychedelic cosmic vacuum that the previous albums only touched on, and sounds like a lost Cluster, Popol Vuh, or Tangerine Dream album with that magical old tone and spirit of the 1970s.
A haunting, dystopian soundscape John Haughm of Agalloch, heavily influenced by Cormac McCarthy and the mid-1800s renegade period of the old West. For fans of Swans, Ennio Morricone, Fields Of The Nephilim, and Neil Young's “Dead Man” soundtrack.
The followup to “+37.717364 // -117.247955” continues the wayward journey of the dystopian 19th century nomad as he navigates the inter-dimensional desert, taking on a more fully orchestrated soundtrack approach. Lim. 250x.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
The 3rd and final installment of the Nomad Trilogy. It is an eclectic and largely somber record depicting the end of the mortal world and the beginning of the Nomad’s spiritual journey. Lim. 250x.
The long-awaited first and definitive biography of the leader of Dissection. 240 pages matte black hardcover-book with black hot foil stamped printing on the cover, in English language.
"A Little Night Music" sees Bree taking a more free-form approach to his usually more rigid and Pop-minded style, partly due to a new interest in classical music, more specifically Russian Ballet suites. Features a string quartet and a guest soprano.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
Jordfäst envelopes the melancholy and rawness of Scandinavia. The music stems from Black Metal soil and its canopy covers everything from the melodic and atmospheric to the harsh and brutal, steeped in both earthen melancholy and icy brutality.
With folky melodies and theatrical narratives woven into a solid backbone of Black Metal, Jordfäst delve further into the barren realms of Scandinavian hardship and melancholy. Epic and dreaming, it should appeal to fans of Skogen, Saiva or Primordial.
Vinyl housed in a generic "Radio Broadcast" diecut sleeve and diecut white paper inner. Incl. 12" × 12" card insert with band image and titles. Limited edition 300 copies.
Joy Division's gig at Paradiso, in Amsterdam, on 11 January 1980, during the Unknown Pleasures tour. Due to the local support act failing to appear, Joy Division performed two completely different sets – both performances are included here.
"An Attempt..." delves into the theology of William Blake and Emanuel Swedenborg, exploring also the work of Russian occultist Helena Blavatsky. It finds much of its power in minimalism, with unadorned lute set against drones and subdued electronica.
A piece comissioned by Cinémathèque Française in Paris which was to serve as the soundtrack to the restored original version of the “Nosferatu” film (1922). Lim. 1000x copies.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
While one song written about the pandemic came to be the album's centrepiece, the rest grapples with the world as it moved on and all the dualism and dichotomies that followed. The luthe players contains to mesmerize with his unique instrument.
Jules Maxwell now joins forces with the multi-award winning Portuguese singer Lina_ to explore the poetic connections between Ireland and Portugal. The album features adaptations by the Portuguese writer and composer Amelia Muge.
"Character", the cellist third album, refines the layering technique with which different cello motifs are interwoven. As an accompaniment to her actual instrument, she plays natural and ambient noises, which work as a kind of substitute voice.
On her fourth work, Julia Kent again masterfully combines the sound of the cello with electronic music, creating a completely unique acoustic world, which can be both mysterious and moving. Limited vinyl version including CD.
"Heart Under" presents a coherent style and ethos – scything guitars, Katie’s magical vocals – but still incorporates a wide and untethered vision which encompasses brooding, atmospheric Rock songs and others that apply a lighter, dreamier touch.
Just Mustard surge out of the shadows from the submerged world of "Heart Under" with a sound that leans toward light and euphoria. Their signature elements remain intact but this time the noise is channeled into something warmer and more melodic.
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