"Una coppia di chitarre classiche, altrettanti violini, un basso e una gradevole voce femminile. Questi gli strumenti scelti dai portoghesi Dwelling per dare un suono all'intimità di Lisbona, ai sui v(...)"
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Appreciated by adherents of Black Metal for its highly original and atmospheric sound, Arckanum crafted not only music but an entire world of its own, with its artwork and lyrics in ancient Swedish. Quite possibly Arckanum's most primal sounding album.
The "Constellation" EP (1994) from Norway's Avant-garde metal cosmonauts plus the single "My Angel" (1991) and various rarities. Handmade A5 Digibook-CD (black) with faux-leather cover and silver hotfoil embossment. Lim. 100x.
Arcturus' first studio album in ten years. Veined by the band's generic boundless creativity, "Arcturian" is a setting-to-music of both the sublime and beauty of outer space, uniting grandeur and filigree in their inimitable way.
A setting-to-music of both the sublime and beauty of outer space, uniting grandeur and filigree in their inimitable way. Limited 2x CD hardcover book (18x18 cm, 48 pages) with additional artwork and remixes of the album tracks.
Despite their black roots, early Arcturus clearly begged to differ by daring to experiment and adding an avant-garde twist with strange sonorous vocals complementing those piercing shrieks, Sverd's cinematic keyboards or the technical guitar solos.
Despite their black roots, early Arcturus clearly begged to differ by daring to experiment and adding an avant-garde twist with strange sonorous vocals complementing those piercing shrieks, Sverd's cinematic keyboards or the technical guitar solos.
While still very much influenced by Death Metal, the addition of Doom-laden slowness and eerie keyboards already pointed into a far blacker cosmos on these very first Arcturus recordings.
While still very much influenced by Death Metal, the addition of Doom-laden slowness and eerie keyboards already pointed into a far blacker cosmos on these very first Arcturus recordings.
While still very much influenced by Death Metal, the addition of Doom-laden slowness and eerie keyboards already pointed into a far blacker cosmos on these very first Arcturus recordings.
Arcturus deliver a striking and for some even provocative afterthought to their previous works, which launches into an adventurous re-visiting of six "La Masquerade Infernale" tracks that got unapologetically treated with EBM, Trip-Hop, Rap or Ambient.
Arcturus deliver a striking and for some even provocative afterthought to their previous works, which launches into an adventurous re-visiting of six "La Masquerade Infernale" tracks that got unapologetically treated with EBM, Trip-Hop, Rap or Ambient.
The Norwegians succeeded in wedding a devilish concept loosely based on the characters of Faust and Mephistopheles with an eclectic range of surreal sound elements into an album that is rightfully considered a prime example of Avant-Garde Metal.
The Norwegians succeeded in wedding a devilish concept loosely based on the characters of Faust and Mephistopheles with an eclectic range of surreal sound elements into an album that is rightfully considered a prime example of Avant-Garde Metal.
Still complex, still avant-garde, Arcturus clearly consolidated their compositions on "The Sham Mirrors" and while still using many sonic elements, those rather serve each individual song than try to stick out.
Still complex, still avant-garde, Arcturus clearly consolidated their compositions on "The Sham Mirrors" and while still using many sonic elements, those rather serve each individual song than try to stick out. Lim. 200x.
Arcturus' first studio album in ten years. Veined by the band's generic boundless creativity, "Arcturian" is a setting-to-music of both the sublime and beauty of outer space, uniting grandeur and filigree in their inimitable way. Lim. 500x.
Despite their black roots, early Arcturus clearly begged to differ by daring to experiment and adding an avant-garde twist with strange sonorous vocals complementing those piercing shrieks, Sverd's cinematic keyboards or the technical guitar solos.
An artistic quest for heritage and identity upon a solid Doom foundation. This insular Doom Metal solo project by Mark Deeks (of Winterfylleth) revolves around the legendary relics of the famous Northumbrian saint Cuthbert (634–687) and their journey.
Arð continue on their mission to explore the culture, heritage, and identity of the Northern English lands of Northumbria through their unique Monastic Doom, sourced from Classical Doom and religious chants, with infusions of Prog and Neoclassical.
Arð continue on their mission to explore the culture, heritage, and identity of the Northern English lands of Northumbria through their unique Monastic Doom, sourced from Classical Doom and religious chants, with infusions of Prog and Neoclassical.
Arð continue on their mission to explore the culture, heritage, and identity of the Northern English lands of Northumbria through their unique Monastic Doom, sourced from Classical Doom and religious chants, with infusions of Prog and Neoclassical.
Arð continue on their mission to explore the culture, heritage, and identity of the Northern English lands of Northumbria through their unique Monastic Doom, sourced from Classical Doom and religious chants, with infusions of Prog and Neoclassical.
True to their path, Arditi return with "Bloodtheism", a small taste of things to come. Originally released on digital format, "Bloodtheism" is now given a physical release, in a remastered version with two exclusive bonus tracks. Lim. 300x copies.
"A concept album about the conflicts between Nature and Man, between Man and Man and between Nature and Nature", which translates into a brilliant crossover between Neo-Folk and Neo-Classical elements. A highly recommended release.
Argine’s sound is recognizable and on "Pathos!" it has been enriched by an expanded use of Synths that results in a perfect balance between New Wave and Neofolk.
The distant howl of coyotes echoes through the desert night. Over a windswept mesa the Serpent Moon rises. This is how Galen Baudhuin (of Wolves In The Throne Room fame!) envisions this journey to his majestic and hostile homeland. Lim. 500x.
The distant howl of coyotes echoes through the desert night. Over a windswept mesa the Serpent Moon rises. This is how Galen Baudhuin (of Wolves In The Throne Room fame!) envisions this journey to his majestic and hostile homeland. 180g vinyl, lim. 100x.
The distant howl of coyotes echoes through the desert night. Over a windswept mesa the Serpent Moon rises. This is how Galen Baudhuin (of Wolves In The Throne Room fame!) envisions this journey to his majestic and hostile homeland. 180g vinyl, lim. 200x.
One of the most fascinating entities emerging from Switzerland-based circle around Ungfell or Dakhma, among others. Although highly atmospheric, and almost cinematographic, "Uihtis" is still a demonstration of brute force translated into music.
One of the most fascinating entities emerging from Switzerland-based circle around Ungfell or Dakhma, among others. Although highly atmospheric, and almost cinematographic, "Uihtis" is still a demonstration of brute force translated into music. Lim. 150x.
One of the most fascinating entities emerging from Switzerland-based circle around Ungfell or Dakhma, among others. Although highly atmospheric, and almost cinematographic, "Uihtis" is still a demonstration of brute force translated into music. Lim. 150x.
One of the most fascinating entities emerging from Switzerland-based circle around Ungfell or Dakhma, among others. Although highly atmospheric, and almost cinematographic, "Uihtis" is still a demonstration of brute force translated into music. Lim. 150x.
A collection which features all EPs, Demos, unreleased tracks, covers and live stuff from this cult Swedish Black Metal act, running for over an hour. Comes with a tight booklet full of photos and lyrics.
A proper reissue of their third and final album, which established the first furtive movements of the "Spiritual Black Metal" idiom taking root in the wake of foundational albums by Antaeus, Watain, and Deathspell Omega.
A proper reissue of their third and final album, which established the first furtive movements of the "Spiritual Black Metal" idiom taking root in the wake of foundational albums by Antaeus, Watain, and Deathspell Omega.
The reissue of the band’s uncompromising debut album “The Final War Approaching” in identical artwork to the original release on the classic German label Sombre Records back in 2001.
And so it was told that in the seventeenth year, things that were thought to be dead begun to stir again in the earth, as if awoken by the stench of man-fear penetrating deep beyond the reach of sunlight.
And so it was told that in the seventeenth year, things that were thought to be dead begun to stir again in the earth, as if awoken by the stench of man-fear penetrating deep beyond the reach of sunlight.
The reissue of the band’s uncompromising debut album “The Final War Approaching”. Repress on black vinyl featuring enhanced artwork, inspired by the original 2001 release.
The reissue of the band’s uncompromising debut album “The Final War Approaching”. Repress on white vinyl featuring enhanced artwork, inspired by the original 2001 release.
A stirring Black Metal expression which holds something infectious in every track. A sonic nightmare with unimaginably beautiful guitars, imbued with the furious call from the hottest point of Hell… Lim. 500x.
A stirring Black Metal expression which holds something infectious in every track. A sonic nightmare with unimaginably beautiful guitars, imbued with the furious call from the hottest point of Hell… Lim. 400x.
Uncompromising Black Metal parts fade into folkloristic choir passages, Ambient elements mix with sound samples of Nature and piano and vibraphone add their characteristics, creating a 70min. walk to a harsh, unknown part of Iceland's history.
Árstíðir Lifsins return with the brilliant "Heljarkviða", which is meant to depict the Old Norse kingdom of Helheimr; a place for the slain who suffer a ‘helsótt’, a fatal illness. Magisterial Folk/Black Metal, with an apocalyptic atmosphere.
Árstíðir Lifsins return with the brilliant "Heljarkviða", which is meant to depict the Old Norse kingdom of Helheimr; a place for the slain who suffer a ‘helsótt’, a fatal illness. Magisterial Folk/Black Metal, with an apocalyptic atmosphere.
Heathen Metal stalwarts Arstidir Lifsins join Iceland's leading Black Metal act Carpe Noctem on this brilliant collaboration which explores themes of death and war, fire and life. Digipak CD complete with booklet, limited to 500 handnumbered copies.
Part two of this ambitious conceptual masterpiece! From ambient archaic folklore soundscapes, supported by dark chants and classical instruments, to both modern and classic Black Metal elements, the musical abilities project genuine craftmanship.
Sung entirely in Old Norse-Icelandic, "Aldrlok" features 9 songs with a total playing time of 82 minutes, and contains both modern and classic Black Metal elements, as well as Ambient Folklore patterns supported by dark chants and classical instruments.
The album leads us through delirious dreamscapes ranging from catchy pop tunes to ethereal soundscapes, from medieval ditties to industrial sound collages, from childish melodies to psychedelic walls of sound, always crowned by a haunting, poetical voice.
46 minutes of vile, morbid and depraved plague worship, by John Haughm, of Agalloch! Haunting ambient Black/Doom for fans of Nortt, Summoning, Thergothon, Abruptum and Gnaw Their Tongues.
Compilation of various favorite Arvo Part pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet, yet all unique to the style of Part - deceptively simple yet profound.
Features a never-before-released rendition of "Silentium", the second movement of Pärt's most famous concerto, "Tabula Rasa", performed by Boston-based chamber orchestra A Far Cry at nearly half the speed of the 1984 ECM version. Beautiful and healing.
Features a never-before-released rendition of "Silentium", the second movement of Pärt's most famous concerto, "Tabula Rasa", performed by Boston-based chamber orchestra A Far Cry at nearly half the speed of the 1984 ECM version. Beautiful and healing.
Features a never-before-released rendition of "Silentium", the second movement of Pärt's most famous concerto, "Tabula Rasa", performed by Boston-based chamber orchestra A Far Cry at nearly half the speed of the 1984 ECM version. Beautiful and healing.
Ascending Divers explore massively deep atmospherics and drone Sonorites. Rhythmic tides of sonic energy take us from watery droplets formed by breaking waves to the deepest oceanic abyss, a truly immersive and out of time journey. Lim. 300x.
Residing somewhere between Dark Wave, Post Punk and Batcave, the Italians succeed in creating a charming niche with their debut album. Ash Code have managed to blend the cold despair of the post-punk of the early eighties, with modern catchy sounds.
A turning point for Ash Code - mainly focused on Darkwave electronic music but including a dirtier and rawer approach, entailing claustrophobic sounds, unusual musical instruments and a lot of echoes straight out of the 80s Goth and Industrial scene.
A turning point for Ash Code - mainly focused on Darkwave electronic music but including a dirtier and rawer approach, entailing claustrophobic sounds, unusual musical instruments and a lot of echoes straight out of the 80s Goth and Industrial scene.
The eagerly expected second opus delivered by the Italian Electro Wave band, in which Ash Code have tried to use different instruments and venture further with sounds. Re-issued with new artwork and 4 bonus tracks!
A live session recorded by Ben Hussey at the wonderful Comp-NY studios in Los Angeles during the first Ash Code USA tour in summer 2019! All of the most ‘classic’ Ash Code tracks and quite different special versions! Lim. 500x.
Ellen Allien joins forces with Italian synth wave band Ash Code for a formidable collaborative project. Across three tracks they merge their creative energy to produce this fearsome EP which brings a perfect marriage of two potent and distinctive sounds.
“Synthome” draws from personal loss, inner collapse, and rebirth. Inspired by Lacan’s “sinthome”, where symptom becomes identity, the album fuses Darkwave, EBM and Synthpop into a cinematic post-pandemic manifesto of survival and transformation.
“Synthome” draws from personal loss, inner collapse, and rebirth. Inspired by Lacan’s “sinthome”, where symptom becomes identity, the album fuses Darkwave, EBM and Synthpop into a cinematic post-pandemic manifesto of survival and transformation. Lim. 250x
“Synthome” draws from personal loss, inner collapse, and rebirth. Inspired by Lacan’s “sinthome”, where symptom becomes identity, the album fuses Darkwave, EBM and Synthpop into a cinematic post-pandemic manifesto of survival and transformation. Lim. 500x
Inspired by brutalist, postmodern and utilitarian architectural structures that are found throughout post-industrial cities, hauntological in nature. Ashenspire takes a unique approach to Black Metal with a strong taste for theatrics.
Trace elements of Black Metal and Doom exist once again, but are further spliced with the DNA of Drone, Sludge, and even Post-Rock, making for a heady (and HEAVY) brew that’s seemingly served up with ease by Ashtar.
Fire and water collide again: Swiss sorceress Ashtar open up a menacing yet ethereal world of opposing forces, fans of emotional yet dirty Blackened Doom Metal should willingly enter. Lim. 500x.
Fire and water collide again: Swiss sorceress Ashtar open up a menacing yet ethereal world of opposing forces, fans of emotional yet dirty Blackened Doom Metal should willingly enter. Lim. 250x.
Solo project of Sophia Sarigiannidou, 50% of legendary Electro act Marsheaux! Both tracks were written and recorded during lockdown at her studio in Athens, and this is her first ever new material after their split. Lim. 300x, with an A2-sized poster.
“Null” is at once both anthemic, dance-floor EBM Electro-industrial and a deeply personal statement on the world today. A magnificent album from one of the world’s best Electro projects ever!
“Null” is at once both anthemic, dance-floor EBM Electro-industrial and a deeply personal statement on the world today. A magnificent album from one of the world’s best Electro projects ever!
"Terminal Spirit Disease" brought in a more streamlined and catchy style to the songwriting, which was further developed & refined on "Slaughter of the Soul". A true stapple in intense yet complex and melodic Death Metal. 180g vinyl.
After visiting the Parisian cabarets, Ataraxia return to Greek shores to rediscover ancient rituals and traditions. A felt following of "Lost Atlantis". The natural accomplishment of the voyage.
A work split in 2 parts, the first dedicated to Springtime which evokes mysterious airy escapades. Part 2, inspired by Autumn, opens with a sacred hymn to reach a very hazardous level of experimentation. Digitally re-mastered and incl. 1 bonus-track!
Two years and a half of the intimate life of Ataraxia, the thick one inside each one of them. A Modern Classical/Neofolk masterpiece made of blood, nerves and liver.
Re-release of one of Ataraxia’s most celebrated and popular albums, and maybe their most ‘Modern Classical / Neo-Folk’ – inspired work, 16 years after its first pressing. "Historiae" has been digitally re-mastered and includes an exclusive bonus track.
Ataraxia's highly anticipated new studio album “Quasar”, in a limited Edition of strictly 400 copies presented in heavy Deluxe A5-sized Digibook and including an exclusive bonus-track!
Ataraxia's highly anticipated new studio album “Quasar”, in a limited vinyl edition on black vinyl of the all new album, in completely different artwork and including the 7 main tracks of the CD!
"In astronomy, quasars are very distant objects that have to emit energy equivalent to hundreds of normal galaxies. Thus, the namesake Quasar is more than suiting here, for Ataraxia to take you on a wondrous journey into the event horizon..."
A fascinating account of the assassination of Leo Armenius, the fifth of his name and ruler of the Byzantine Empire, set to a fittingly epic and dramatic delivery, which hearks back to the glory of somewhat lesser known early/mid-90s epic Black Metal.
A fascinating account of the assassination of Leo Armenius, the fifth of his name and ruler of the Byzantine Empire, set to a fittingly epic and dramatic delivery, which hearks back to the glory of somewhat lesser known early/mid-90s epic Black Metal.
With everything that should make a Metal release worth its name (extreme heaviness, melodies and killer solos/vocals), with references to early Manowar, Bathory and Solstice, “The Golden Bough” will not leave any Metal fan unmoved.
Their first, long out of print official debut, originally released in 2007. An unrelenting force of epic Doom Metal, an inspiring and subtly gloomy attack to your hearing senses.
The black glass and metal citadels stand emptied. The only sounds that linger in the air are the grinding machines below the surface and the faraway screams from the purgatorial torture chambers.
Dark, classic Metal which follows closely the Mercyful Fate / King Diamond tradition. 180g virgin vinyl, lim.579 copies, in gatefold jacket with UV lacquer details, double sided poster and huge 20 page 12" booklet!
Dark, classic Metal which follows closely the Mercyful Fate / King Diamond tradition. 180g virgin vinyl, lim.650 copies, in gatefold jacket with UV lacquer details, double sided poster and huge 20 page 12" booklet!
Attic are back with their furious third album. The German five piece presents dark and sinister Heavy Metal with a slight Black Metal influence - as fierce and evil as it can possibly get!
"Void Ov Voices" was started by the legenday Mayhem frontman in 2006, to create ritualistic music for the moment, intended to be performed live capturing and interfering with the energy of the space and the time of the location.
The music weaves and shifts between Gothic/Industrial, Neo-Classical and Dark Ambient soundscapes, with founding member Martin Bowes’s lyrics fearlessly exploring the themes that bind and break us all - life, love, longing, Loss and death. Lim. 250x.
The music weaves and shifts between Gothic/Industrial, Neo-Classical and Dark Ambient soundscapes, with founding member Martin Bowes’s lyrics fearlessly exploring the themes that bind and break us all - life, love, longing, Loss and death. Lim. 250x.
The original scores for 'Orgone Theory' and 'Hydra', by Augustus Muller (Gus from Boy Harsher). Within these tracks, Muller combines disparate soundscapes, melancholy drone, and minimal synth.
The original scores for 'Orgone Theory' and 'Hydra', by Augustus Muller (Gus from Boy Harsher). Within these tracks, Muller combines disparate soundscapes, melancholy drone, and minimal synth.
The original scores for 'Orgone Theory' and 'Hydra', by Augustus Muller (Gus from Boy Harsher). Within these tracks, Muller combines disparate soundscapes, melancholy drone, and minimal synth. Lim. 600x.
Two additional scores by Muller for Vex Ashley's Four Chambers. 'Crash' and 'Automaton' demonstrate Muller’s mastery of stark, industrial soundscapes, while introducing club elements such as ‘Nu Disco’ tendencies and vocal samples.
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