"Bisher sind Les Fragments de la Nuit eher in Soundtracks aufgetaucht. So beispielsweise in Independent-Filmen, Animationen und Dokumentationen. Hört man die Musik des Duos – bestehend aus Komponist(...)"
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Ocinn plays Black Metal influenced dark piano music. The unique and hypnotizing atmosphere with melancholic, gloomy but still romantic piano tunes brings the feeling of the rough and cold Black Metal sound into dark piano music.
Two long older songs written back in 2016-2018, recording as an introduction to the "Welten Mutter" full-length through artwork and lyrics. Limited to 200 hand-numbered copies, as "old school" Maxi CD!
Honest and pure Black Metal at its poignant best, ripp(l)ing with a melodicism that's graceful and heartstrings-pulling but never overwrought. While Odal's melodicism here is much more on the melancholic side, there's a uniquely uplifting aspect to it.
Sharing a common passion for abrasive textures, deconstructed rhythms, enveloping and dense layers, this album is a distinct entity, an ageless and lush exploration, at times contemplative and airy, at times impetuous and massive. Lim. 300x.
Theologians still can't fully agree, but you're sure to believe after vibrating along with "God Is Good". Chants and prayers, non-denominationally laid out with a heaviness that would make Heston-as-Moses blush.
Theologians still can't fully agree, but you're sure to believe after vibrating along with "God Is Good". Chants and prayers, non-denominationally laid out with a heaviness that would make Heston-as-Moses blush.
8 Symbols of slimy and crawling ocular distorted art so called "Black Metal", the way it shall be... Echoes of Mayhem or Dissection resonate throughout "1248", in a first offering which was 20 years in the making by this French quartet.
8 Symbols of slimy and crawling ocular distorted art so called "Black Metal", the way it shall be... Echoes of Mayhem or Dissection resonate throughout "1248", in a first offering which was 20 years in the making by this French quartet. Lim. 200x.
8 Symbols of slimy and crawling ocular distorted art so called "Black Metal", the way it shall be... Echoes of Mayhem or Dissection resonate throughout "1248", in a first offering which was 20 years in the making by this French quartet.
Their second album. Although the Negative Plane vibe surely is present, for obvious reasons, the band offers something even more ghastly, reminiscent of early Mortuary Drape and the classic early Rotting Christ-era, to mention some influences.
Belgo-Babylonian Black-Doom Metal. On All Fours shapes a world of desolate landscapes, where the skies are perpetually shrouded in a toxic haze and the only sound is the echo of your own screams. Lim. 300x.
Belgo-Babylonian Black-Doom Metal. On All Fours shapes a world of desolate landscapes, where the skies are perpetually shrouded in a toxic haze and the only sound is the echo of your own screams.
A measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind. "Dimsvall" speaks through its atmosphere and depth, set against melancholy and harshness. Lim. 250x.
A measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind. "Dimsvall" speaks through its atmosphere and depth, set against melancholy and harshness. Lim. 250x.
A compilation MLP featuring the "One Tail, One Head" and "Tandava" 7"EPs, originally released by Terratur Possessions in 2011. Raw Norwegian Black Metal.
Rudimentary Norwegian Black Metal. "Worlds Open, Worlds Collide" holds much of what defines OTOH, ranging from the rabid, unruly primitivism of our early days to the ominous, slightly surreal atmospheres we began to explore later on.
Rudimentary Norwegian Black Metal. "Worlds Open, Worlds Collide" holds much of what defines OTOH, ranging from the rabid, unruly primitivism of our early days to the ominous, slightly surreal atmospheres we began to explore later on.
On “Mestarin Kynsi” the doors of perception are not only evoked but off their hinges. Oranssi Pazuzu seem to take their Waste of Space Orchestra off-shoot further, with further emphasis on synthesizer extravaganza applied to their psychedelic Black Metal.
On “Mestarin Kynsi” the doors of perception are not only evoked but off their hinges. Oranssi Pazuzu seem to take their Waste of Space Orchestra off-shoot further, with further emphasis on synthesizer extravaganza applied to their psychedelic Black Metal.
Drawing inspiration from eclectic sources ranging from Boredoms, Death Grips or Portishead, Oranssi Pazuzu mold their psychedelic alchemy into a potent brew where a tripped out Godflesh creates an alien being with NIN, Beherit and My Bloody Valentine!
A tortuous evolution to the band’s funereal Black foundations by incorporating Avant-Garde and Death Metal influences. A unique and complex melodic journey unlike, vaguely reminiscent of early Katatonia, Paradise Lost or Ved Buens Ende.
This unique quintet from Austria again combines elements of classic Metal genres with shoreless influences that words can barely describe. The new album features guest appearances by Alan Averill (Primordial) and Victor Santura (Triptykon).
Over The Voids… crafts a distinct narrative within the Black Metal genre, channelling the spirit of the mid-nineties while forging new frontiers. With a focus on melody and mood, the twin-guitars bridge the gap between raw aggression and dreamlike states.
Even though harkening back to the glorious 90's Black Metal sound, "Haval" is an evidence of how a fallen world can birth to something new and teeming with ominous potency, in a masterful balance between atmosphere and aggression.
Italian Avant-Doom/Noise Rock duo OvO deliver "Gemma", which promises a continued journey of reinvention, pushing the boundaries of electronics and experimental sound that have become their hallmark.
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