"Gently touching the strings of their instruments and whispering like a wind blow, Deleyaman are releasing for Equilibrium Music their fourth album titled FOURTH, PART ONE. Why such a particular title?(...)"
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Exploring and evoking the culture of their forefathers, Wardruna return to ancient times of the Norse pagan people and their spiritual music using deer hide fram drums, mouth harp, goat horns, lur, Hardanger fiddle and tagelharpe.
2nd part of a trilogy of albums focusing on the mythology of the 24 runes of the ancient Norwegian alphabet. Ritualistic Pagan Folk with thundering drums, acoustic instruments and chants that evoke the spirits of ancient Vikings and their legends.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
Exploring and evoking the culture of their forefathers, Wardruna return to ancient times of the Norse pagan people and their spiritual music using deer hide fram drums, mouth harp, goat horns, lur, Hardanger fiddle and tagelharpe.
An immersive audio arrangement that underscores the experiential paradigm shift and masterful musicianship of their superlative and boundary-pushing virtual live experience "First Flight of the White Raven" of March 26th 2021!
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
Basinski's dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations yet never deviating from what defines its essential sentiment...
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski’s most celebrated works, dating back to 1982, spawned from a fruitful evening of live experimentation in the studio after a day of work at the answering service...
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
A score composed by Woodkid, performed and co-written by Nils Frahm, for the short filme Ellis by JR starring Robert De Niro, who also appears as a narrator on these recordings over the delicate piano motifs, string crescendos and harmonium swells.
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