"Il est des musiques qui restent inqualifiables, abstraites et pourtant universelles. Cette musique du crépuscule des Fragments de la Nuit fait justement partie de ces ovnis, sauf que celui-ci nous ar(...)"
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Naive and sentimental music, as John Adams would put it. A beautiful work of contemporary Chamber Music, which should please fans of Yann Tiersen or Wim Mertens.
“The Cartographer” is a piece commissioned by the renowned Roadburn Festival, which explores the space where classical instrumentation and contemporary heavy music intersect.
Acclaimed pianist Joep Beving and Berlin-based producer and cellist Maarten Vos share their first collaborative album, released via Nils Frahm’s Leiter label. Lim. 400x.
Inspired by a recording of an IBM mainframe computer which Jóhann’s father made on a reel-to-reel tape machine more than 30 years ago, "IBM 1401" was recorded by a sixty-piece string orchestra which added to incorporated electronics of the original tape.
A beautiful meld of strings and electronics, with two themes running throughout - the idea of failed utopias is the main thread, and the collision of mysticism and rocket science is the other theme explored. Includes unpublished notes written by Johann.
"A Little Night Music" sees Bree taking a more free-form approach to his usually more rigid and Pop-minded style, partly due to a new interest in classical music, more specifically Russian Ballet suites. Features a string quartet and a guest soprano.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
An electro-acoustic tape collage album of beautifully drifting melody, occasional voice, wide-ranging `instrumentation' and enchanting texture. Even if broadly melancholic in temperature, it marks a turn away from angst and despair for Void.
"Character", the cellist third album, refines the layering technique with which different cello motifs are interwoven. As an accompaniment to her actual instrument, she plays natural and ambient noises, which work as a kind of substitute voice.
On her fourth work, Julia Kent again masterfully combines the sound of the cello with electronic music, creating a completely unique acoustic world, which can be both mysterious and moving. Limited vinyl version including CD.
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