"En un bello digipack en formato A5 decorado con bellísimas ilustraciones
que evocan el paganismo y la naturaleza se presenta el segundo trabajo del duo
húngaro The Moon And The Night(...)"
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His third full-length of sublime Chamber Musick. Alongside Echo Collective the ensemble on "Rosarium" is augmented by American multi-instrumentalist Peter Broderick, English vocalist Astrud Steehouder, with poems read by O’Sullivan’s daughter Ivy.
Dark Sanctuary return, reviving the melancholy and dark atmospheres that have been their signature since our debut. A notorious alchemy made of stunning vocal textures, neo-classical and acoustic sounds. Lim. 500x.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons.
Dark Sanctuary is back with their eighth Album “Cernunnos”, the first in fourteen years! One of their most varied releases yet, it oscillates between what has characterized their Neo-Classical sound and new musical horizons. Lim. 200x copies.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
A revised, remastered reissue of "Sleepwalkers", the fruits of one-off meetings and lifelong partnerships, which jump from bliss to intrigue, romance to sensuality, as arch experiments lead into the lushest Pop.
Grönland is proud to announce the reissue of Wandermüde on CD and, for the first time, vinyl. Both versions include one previously unreleased bonus track and were mastered by Stephan Mathieu from the original recordings.
On their eponymous debut album, originally released in 1984, Dead Can Dance successfully harnessed a “bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion.
"Garden of the Arcane Delights" is Dead Can Dance's only EP. Originally released in 1984, it acted as a bridge between the band's first two albums. This edition includes also both of the sessions held for John Peel, recorded in 1983 and 1984.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
The title "Into The Labyrinth" is a reference to the Greek legend of Theseus going into the Labyrinth to slay the Minotaur. It came when Perry and Gerrard had embarked on separate personal paths, now writing their songs independent of one another.
Dead Can Dance's most medieval album, which features their wellknown rendition of the XIVth Century piece "Saltarello". A beautiful and timeless classic.
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two acts split across seven movements that represent the different facets of the Dionysus myth and his cult, taking the musical form of an oratorio via an array of folk instrumentation and inspiration from across the world.
"Garden Of The Arcane Delights" is the only EP released by DCD, coming out in 1984 and acting as a bridge between their first two albums. This new expanded version also includes both of the band’s sessions for John Peel, recorded in the same time period.
"Spleen and Ideal" is the second studio album by Dead Can Dance, and it spearheaded the group's sonic transition from their Post-Punk and Gothic Rock-influenced roots towards a Neoclassical Dark Wave style.
Recorded during an intense period of musical and personal growth for the band, the album’s eight songs are split equally between the duo with the first half being sung by Brendan and the second Lisa.
The seventh studio album by Dead Can Dance further expands on their exploration of world music, and would prove to be the last before the duo reunited fourteen years later for "Anastasis".
"The Serpent's Egg" continues their evolution away from traditional Rock/Pop song structures, and instead build on sustained chords, vocal harmonizing, and brittle-sounding string instruments. A fascinating trip to the dawn of Western music.
Two legendary John Peel Sessions for one of the most beloved bands on 4AD. Dead Can Dance's BBC Radio Peel Sessions were recorded on 19 November 1983 and on 2 June 1984. Essential!
A collection of radical re-workings of traditional and jazz standards, a solo piano interpretation of Thelonious Monk's “Round Midnight”, and live voice and piano interpretations of “O Death” and “Pardon Me I've Got Someone to Kill”.
Composed and performed by Galás in September 2019, this 21:19 minute piece is based on the expressionist poem Das Fieberspital (The Fever Hospital), a depiction of warehoused patients of yellow fever by Georg Heym.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
Diamanda Galás’ second album, sometimes referred to as Panoptikon. A cry of rage by a caged prisoner against his jailer, who is concealed from his victims by an impenetrable wall of technology.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
Galas takes a turn to the slightly more accessible with her collaboration with Jones on "The Sporting Life", with both Hammond organ and piano widely used throughout, alongside Jones' bass and production duties and Pete Thomas on percussion.
Employing a vast array of advanced vocal and instrumental techniques, "Broken Gargoyles" is arguably Galas’ most intellectually, sonically and viscerally formidable work to date.
One of the most jarring works of art produced in response to the AIDS epidemic, and a milestone in Galás's artistry and activism. Galás uses her famous voice both as an orational instrument and a physical representation of AIDS and those it afflicts.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A masterpiece of witnessing, forged from grief and fury during the HIV-AIDS epidemic. The theme is essentially passion, in the sense of suffering, although here, and unlike the passion of Christianity, there is little to offer solace.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
A swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture, forensically unmasking the fury and pain of real grief and the vast spectrum of emotions rendered by the AIDS epidemic.
35 years after starting Diary of Dreams, the time has come for Adrian Hates, to record an entire album with a full philharmonic orchestra: 9 classic Diary of Dreams in a completely new acoustic guise.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
A journey to discover completely new worlds of sound in the Diary. The title already offers a slight hint as to what we can expect – dark and apocalyptic scenarios as well as a retreat into one’s own thoughts.
Debut album by this folk project of Negura Bunget's Negru! Authentic Romanian traditional songs, sung by local performers and recorded in their original environment, meet Negru's personal visions and reinterpretations of Romanian traditional music.
"Avalanche" features collaborations with Lorenz Dangel, Dirk Mallwitz, Max Knoth and the Babelsberg Filmorchestra, in an album that brings epic symphonic pieces in addition to Maassen's unmistakable heartfelt and uniquely timed solo piano.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
"Inception" represents a significant departure from Maassen's previous works, embracing a theme of raw, organic creation that captures the essence of musical inception yet showcases a signature blend of intricate piano melodies and cinematic ambience.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.
English songsmith Douglas Dare returns with his third and most stripped back studio album, now fully established as a serious 21st century singer-songwriter with an enduring lyrical poise and elegant minimalist sound. Lim. 500x.
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