"Quale occasione migliore di una gita in Irlanda per un seminario di Brendan Perry (Dead Can Dance) per dare origine a un duo di ethereal e folk? Protagonisti l'olandese Saskia Dommisse e il tedesco Ma(...)"
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Quite dramatic and atmospheric, Caesar Romero does recall legendary soundtracks from composers such as Wendy Carlos and Bernard Herrmann. Overall electronic based, the musical expression is strange and dark with a frequent use of classical music elements.
"Out of Reach" was the second album to feature percussionist Reebop Kwaku Baah and bass player Rosko Gee, both of Traffic, and continues to explore a new musical direction, inspired by Disco and Latin Rock.
"Can", also known as "Inner Space" is the tenth studio album by Can, released in 1979. This was the final Can album until 1989’s "Rite Time", and comes on 180g vinyl.
Can's eleventh and final studio album consisting of sessions recorded in the South of France in late 1986. "Rite Time" sees the return of the band's original singer, Malcolm Mooney, who had left the group in 1970 shortly after their debut album.
Considered by many the finest Can album, "Future Days" was the fifth studio album by Can. It is the last album to feature Japanese vocalist Damo Suzuki, exploring the Ambient direction introduced on "Ege Bamyasi".
Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century: a new piece recorded at the artist's studio in Belgium, and a eulogy for Tony Conrad, performed on the bells of St. Thomas Episcopal Church.
The complete recording of "A Slow Fade To Total Transparency", recorded 24th August 1983. Personnel for the performance - John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell) and Peter Christopherson (Coil).
In 1991 Coil released the 3rd of their early classic full-length albums, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast! Inc. 10 rare tracks!
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