"Vive la France! Dank Fragments de la Nuit habe ich entdeckt, dass Komponisten wie Michael Nyman, Philip Glass oder Arvo Pärt auch in Frankreich geistige Kinder gezeugt haben. Die minimalistisch-repet(...)"
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A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
A totally unique record for Wovenhand. All done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the Wovenhand catalog.
A totally unique record for Wovenhand. All done at home, lots of electronics, mixed during a pandemic, backs to the wall. It's another feather in the wild hat that is the Wovenhand catalog. 180 g vinyl.
A sweeping tapestry of gothic Americana, Neo-Folk, Punk, Alternative Country and Psych, in a sound so distinctive and compellingly crushing that even the heaviest of Metal bands can’t match.
"The Threshingfloor" lies at the foot of a mountain in the American West. In Wovenhand’s sixth full-length album, soundscape mimics landscape, towering and jagged like high peaks, enveloping like the star-studded dome of the sky.
A collection of primarily sombre songs, largely arranged around acoustic guitar and strings, originally conceived as a theatre play revolving around a clairvoyant who can only foresee misery. Comes in a deluxe hardcover book.
Although the expression had shifted from Black Metal to a more Acid Folk-like approach on this, the band's unique elements remain: the ominous and deranged, the melancholic brooding and the dreamlike, the sinister and the pain. Lim. 200x.
Although the expression had shifted from Black Metal to a more Acid Folk-like approach on this, the band's unique elements remain: the ominous and deranged, the melancholic brooding and the dreamlike, the sinister and the pain. Lim. 200x.
Firmly set in the Acid Folk phase of Scott Conner's works, "Other Worlds..." has mostly led a life of a hidden gem in the band's catalogue as it transforms the ominous, melancholic, and dreamlike aspects of Black Metal into an acoustic sound.
Firmly set in the Acid Folk phase of Scott Conner's works, "Other Worlds..." has mostly led a life of a hidden gem in the band's catalogue as it transforms the ominous, melancholic, and dreamlike aspects of Black Metal into an acoustic sound. Lim. 200x.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead.
A musical leap of faith for Xasthur: mastermind, multi-instrumentalist, and singer Scott Conner abandoned Black Metal as a form of musical expression, and turned to something stylistically rather comparable to Acid Folk and Neofolk instead. Lim. 200x.
The thirteen bitter, painful, dirt-stained, and sometimes even hopeful tracks on "Disharmonic Variations" tend towards the acidic taste of American Dark Folk with one detour into Ambient sound, again stepping away from his Black Metal heritage, sonically.
The thirteen bitter, painful, dirt-stained, and sometimes even hopeful tracks on "Disharmonic Variations" tend towards the acidic taste of American Dark Folk with one detour into Ambient sound, again stepping away from his Black Metal heritage, sonically.
A serious and heartfelt listen - one that sacrifices modern perfection for an older sensibility, character and quality of tone and mood, as Zachary drifts from his folk beginnings into a country and English ballad tradition. Lim. 250x.
Jennifer Touch 
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