"Eins, zwei, drei, vier… Arditi deelt de lakens uit op de nieuwe cd Standards of Triumph! In de houding dus. Arditi brengt ons de bombastische dreiging die ons doet beseffen dat we maar kleine, nieti(...)"
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The third (and final) core SPK album and also Graeme Revell's first truly solo project find him in a period of transition, somewhere between the Industrial Noise of the early years and his later award-winning soundtrack work.
A collection of SPK’s singles, originally released between 1978 and 1979 + extra tracks from 1981-1982, which maps the transition from a scratchy thrashy Punk sound, augmented by synthesizers and samples, into a more synth-oriented sound.
Combining the signature soundscapes of Scorn with tartareous textures, “The Only Place” reaches a psychedelic groove, revisiting ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris’ abilities.
Combining the signature soundscapes of Scorn with tartareous textures, “The Only Place” reaches a psychedelic groove, revisiting ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris’ abilities.
Born from minimal means and deliberate constraint, Selm is steeped in contradiction: industrial and tribal, harsh and hypnotic, it is grounded in the raw, thumping DNA of 90s Techno but bent through a fractured, noisier lens.
A hypnotic blend of primordial techno primitivism, mysterious vocals and chants, distortion and harsh electronics. Sometimes broken and psychedelic, always intensely physical, even outright dance floor bound with a booming bass drum.
Sonar are back after a 9-year break! The trademark dense crashing waves of noise leave not much breathing room, and while they surely followed suit in accordance with their own sonic legacy, they have created a fresh and considerably varied take.
30.00EUR • approx. 43.5USD [ new : recommended ] : [ add to cart ]
Sonar are back after a 9-year break! The trademark dense crashing waves of noise leave not much breathing room, and while they surely followed suit in accordance with their own sonic legacy, they have created a fresh and considerably varied take.
The return of Peter Bjärgö (Arcana)’s Industrial Ambient project. An outstanding piece of sonic force. Pounding percussions, commanding vocals and expanding Ambient passages merge to give us and absorbing, diverse and forward thinking journey. Lim. 1000x.
A masterful blend of innovative soundscapes and profound lyrical themes, which represents a deliberate evolution in sound, exploring new rhythms while maintaining the signature Sophia production style and critical perspective. Lim. 300x.
A masterful blend of innovative soundscapes and profound lyrical themes, which represents a deliberate evolution in sound, exploring new rhythms while maintaining the signature Sophia production style and critical perspective. Lim. 200x.
Spanning 24 pages in A5 format, this ‘zine features custom artwork and exclusive, in-depth Cold Meat Industry–themed interviews with Peter Andersson (raison d’être), Mortiis, and M (Mgła / Prelest). Artwork and layout by Astral Wounds.
This Berlin project was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. This carefully remastered re-issue includes numerous photos and liner notes by Alexander Hacke!
This Berlin project was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. This carefully remastered re-issue includes numerous photos and liner notes by Alexander Hacke!
This Berlin project was part of the "Geniale Dilletanten" movement in the early 1980s, along with Einstürzende Neubauten and Mechanik Destrüktiw Komandöh. This re-issue of their debut EP includes additional songs from the band's early days.
Staat Und Organisation remixed LJdlP's “Exposition Internationale” with the homonymous first album of the band, and then decided to record it by adding some original sounds. This expanded and limited edition includes 2 discs of extra material by SUO.
Cabaret Voltaire co-founder and frontman returns with his first solo album in over 35 years. Laced with leftfield house and cut-up sound collages, "Um Dada" is a melding of energies that are an exercise in simplicity and motion.
Cabaret Voltaire co-founder and frontman returns with his first solo album in over 35 years. Laced with leftfield house and cut-up sound collages, "Um Dada" is a melding of energies that are an exercise in simplicity and motion.
Impressive debut by this French neoclassical, symphonic, martial industrial act. Fourty minutes of music in nine tracks created in specific orchestral vein. Very interesting music, not so many mighty, bombastic phrases, but a lot of moving atmospheres.
Comparable to labelmates Haus Arafna, but sounding a bit less insane and scary than the older Haus Arafna material, and maybe more structured and “heavy”, with more low tones in the music.
This limited deluxe box set by Electronic/Industrial legends Suicide Commando includes all Dependent releases of the band, collected on 9 CDs and 1 DVD for a special price, with a CD-sized book collecting all booklet content.
A new era of Sutekh Hexen, and it is a sharpening of their blade, a merciless lucidity. Each track is a rite of clandestine horror through a distillation of Power-Ambient, Industrial, and Black Metal deconstructionism. Lim. 500x.
After years of pursuing Angels of Light and running his Young God label, Michael Gira has reconvened his legendary group Swans. A highly anticipated album, as powerful and diverse as anything Gira's ever done.
After years of pursuing Angels of Light and running his Young God label, Michael Gira has reconvened his legendary group Swans. A highly anticipated album, as powerful and diverse as anything Gira's ever done.
Oscillating bass power, hissing noise rhythms, metal percussions form the basic framework, which is expanded in a variety of ways with dark synth-melodies, angst-frequencies, and nasty distorted vocals, spitting out exclusively German lyrics.
Disc I is underlaid by tense, electronic chittering and all sorts of great noises, from lush synth washes to harsh bursts of electronics. Disc II grinds down into relaxed contemporary beats fused with obscure soundscapes and mutated noises.
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