"Ainda É Noite (‘Still It Is Night’) is the second album from Portuguese neo-classical ensemble Dwelling, following 2003’s Human release, also on Equilibrium Music. According to the press releas(...)"
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Dubbed a "paranoid, claustrophobic masterpiece", "Red Mecca" has been considered one of the best Industrial albums of all time, with the use of echo, space and phasing lending depth and vibrancy to the album.
Quite dramatic and atmospheric, Caesar Romero does recall legendary soundtracks from composers such as Wendy Carlos and Bernard Herrmann. Overall electronic based, the musical expression is strange and dark with a frequent use of classical music elements.
Originally released on Hyperium in 1991, this is the second in a series of re-releases of classic albums by Electro-Industrial cultact Calva Y Nada! Lim. 500x.
"Out of Reach" was the second album to feature percussionist Reebop Kwaku Baah and bass player Rosko Gee, both of Traffic, and continues to explore a new musical direction, inspired by Disco and Latin Rock.
"Can", also known as "Inner Space" is the tenth studio album by Can, released in 1979. This was the final Can album until 1989’s "Rite Time", and comes on 180g vinyl.
Considered by many the finest Can album, "Future Days" was the fifth studio album by Can. It is the last album to feature Japanese vocalist Damo Suzuki, exploring the Ambient direction introduced on "Ege Bamyasi".
Official reissue of this outstanding work. A haunting, wistful work of Post-Industrial synthesizer music by the late Nocturnal Emissions co-founder, which holds a richly cinematic soundworld exploring Industrial, Minimal Synth and Proto-Techno.
Chris & Cosey's 1989 paradigmatic Synthwave major-label "Trust" is back with a fresh remaster. Fruity and screwed electro-pop is the flavour, an erotically charged set of skeletal bangers that sound mad prescient with the benefit of hindsight.
A work of startling muscularity and textural depth by two giants of experimental electronic music: Throbbing Gristle’s Chris Carter, and Ian Boddy, composer, sound designer, analogue synth aficionado, and founder of the Ambient/Electronic label DiN.
A work of startling muscularity and textural depth by two giants of experimental electronic music: Throbbing Gristle’s Chris Carter, and Ian Boddy, composer, sound designer, analogue synth aficionado, and founder of the Ambient/Electronic label DiN.
Dark Ambient, Black Industrial, Ritual Drone, Noise and subsonic horrors of all kinds are distilled by the demiurge into a sonic morass of total suffering and terror, and ritualized into a soundtrack to every broken soul's most hidden and foul impulses.
A very special Vinyl, that comes single-sided (music), while the B-side contains an Etching. It contains two remixes by Atom™ and Scanner, originally released on a limited memory stick under the name "Clock 2" in 2014.
"White Souls in Black Suits", paired with the additionals tracks, offers an insight into the early morphology of Clock DVA's sound - loosely structured, largely improvised, and steeped in the influence of Sheffield’s early Industrial and Goth scene.
"White Souls in Black Suits", paired with the additionals tracks, offers an insight into the early morphology of Clock DVA's sound - loosely structured, largely improvised, and steeped in the influence of Sheffield’s early Industrial and Goth scene.
Synths, drones, and psychedelic textures lead us on mystical tour of sex and magic, serving as a testament to the undeniable connection between Coil’s music, ritual magic, and performance art. Includes a collection of Black Sun Productions videos.
The complete recording of "A Slow Fade To Total Transparency", recorded 24th August 1983. Personnel for the performance - John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell) and Peter Christopherson (Coil).
Coil’s first proper album-length attempt at conceptual Ambient composition, with a radical focus on chance. Seamless vignettes of shattered electronics, ebbing softly and in delicate balance, provide an underlying uncertainty and discomfort.
Coil’s first proper album-length attempt at conceptual Ambient composition, with a radical focus on chance. Seamless vignettes of shattered electronics, ebbing softly and in delicate balance, provide an underlying uncertainty and discomfort. Lim. 600x.
Nearly 150 minutes of previously unreleased Coil recordings, written and recorded between 1993 to 1996, selected and assembled by Danny Hyde from the studio archives. Commissioned artwork by Steven Stapleton, from a recalled dream by Jhon Balance.
Nearly 150 minutes of previously unreleased Coil recordings, written and recorded between 1993 to 1996, selected and assembled by Danny Hyde from the studio archives. Commissioned artwork by Steven Stapleton, from a recalled dream by Jhon Balance.
In 1991 Coil released the 3rd of their early classic full-length albums, seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast! Inc. 10 rare tracks!
Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. A deep, heavy masterpiece, in an expanded version which includes 9 rare and largely unheard bonus tracks from Danny's vaults.
Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. A deep, heavy masterpiece, in an expanded version which includes 9 rare and largely unheard bonus tracks from Danny's vaults.
Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. A deep, heavy masterpiece, in an expanded version which includes 9 rare and largely unheard bonus tracks from Danny's vaults.
"The New Backwards" collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to "Love's Secret Domain".
Created in 2007, this was originally included in the 2008 "Ape Of Naples" box set and was constructed by Peter Christopherson using material from the early 90's "Backwards" sessions, held for a planned release on Trent Reznor's Nothing Records label.
Conceptually abstract, BLD shows Coil's old guard disregarding the Pop rhythms found on previous albums, such as "Love's Secret Domain", and fully embracing their experimental electronic trajectory. Lim. 200x.
"Black Antlers" showcases late-period Coil: stripped down, tighter, and leaner, as the music became more rhythmic, with a greater emphasis on beats. Finally available again.
"Black Antlers" showcases late-period Coil: stripped down, tighter, and leaner, as the music became more rhythmic, with a greater emphasis on beats. Finally available again.
38.00EUR • approx. 55.1USD [ new : recommended ] : [ add to cart ]
"Black Antlers" showcases late-period Coil: stripped down, tighter, and leaner, as the music became more rhythmic, with a greater emphasis on beats. Finally available again. Lim. 1500x.
This new anthology re-edition collects all of the ElpH material which didn't appear on their later "Worship the Glitch" album, namely the pHILM #1 10", a host of very rare compilation tracks as well as a number of unreleased pieces in the same vein.
This new anthology re-edition collects all of the ElpH material which didn't appear on their later "Worship the Glitch" album, namely the pHILM #1 10", a host of very rare compilation tracks as well as a number of unreleased pieces in the same vein.
The legendary (and never used) soundtrack to Clive Barker's supernatural body-horror classic “Hellraiser”, composed by Coil! This “Expanded Ritual” edition includes previously unissued bonus material, with original artwork by Trevor Brown. Lim. 1000x.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
The legendary (and never used) soundtrack to Clive Barker's supernatural body-horror classic “Hellraiser”, composed by Coil! This “Expanded Ritual” edition includes previously unissued bonus material, with original artwork by Trevor Brown. Lim. 300x.
Very special legacy 180g limited vinyl. The year 1980 saw the release of this iconoclastic debut LP, the first chapter in the long musical career of a then teenage William Bennett after leaving Essential Logic, and just before forming Whitehouse.
One of the best, most controversial and most sought after release by the British Power-Electronic legend. For the first time on CD, uniquely packaged between two double-sided printed cards, with 4 additional inlay cards.
Where "That which Remains" was somewhat solemn and introspective, "Holy War" is more ´in your face´. Like its predecessor it varies a great deal in styles, but this time it´s more aggressive and sexual in nature. Deluxe digipak with gold foil printing.
An epic saga of eight illuminating pieces. Aldenon´s characteristic growling coupled with Linus´s bombastic drums and Karin´s serene voice come together in a tapestry of ritualistic, penetrating and sinister ambiance.
Cosey Fanni Tutti's attempt to integrate Delia Derbyshire's style with her own is a dense, fascinating listen, using the Radiophonic Workshop composer's original notes for guidance on a full length suite of engrossing mood pieces.
Cosey Fanni Tutti's attempt to integrate Delia Derbyshire's style with her own is a dense, fascinating listen, using the Radiophonic Workshop composer's original notes for guidance on a full length suite of engrossing mood pieces.
"2t2" moves between propulsive beat constructions and expansive electronic explorations, continuing themes from 2019’s "Tutti". A personal reflection; a sonic realisation of her life, drawing on her powerful inner resolve and expressing it through music.
"2t2" moves between propulsive beat constructions and expansive electronic explorations, continuing themes from 2019’s "Tutti". A personal reflection; a sonic realisation of her life, drawing on her powerful inner resolve and expressing it through music.
Second compilation curated by Berlin-based Musician and DJ Luca Venezia, aka Curses!, who brings a romantic edge to the dance floor, blending 80's New Wave, the darker side of Italo-Disco and flashes of EBM with his own ghostly vocals.
33 years after the original Skinny Puppy meets Front Line Assembly project was released on WaxTrax, Cyberaktif is back with an all new album, destined to become a classic!
33 years after the original Skinny Puppy meets Front Line Assembly project was released on WaxTrax, Cyberaktif is back with an all new album, destined to become a classic!
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