"Selten hat ein Bandname die Musik besser umschrieben, als LES FRAGMENTS DE LA NUIT es tut. Denn genau darum geht es: Fragmente der Nacht, kleine Skizzen aus dem Grenzbereich zwischen Schlaf und Wachse(...)"
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Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work. Lim. 1500x.
An expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package comes in sturdy full-color jackets, with a new 1000-word foreword by Laurie Anderson housed.
An expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package comes in sturdy full-color jackets, with a new 1000-word foreword by Laurie Anderson housed.
"Finsternis" successfully evokes the eponymous darkness of its German title and frozen cineastic soundscapes delivered in Winterblood's typical, minimalistic style that has been aptly dubbed "Polar Ambient".
Wolfskin returns with a transcendental new work that expands the project’s long-standing devotion to metaphysical sound into cosmic territory. It distills the essence of ritual music to its purest form: vibration, resonance, and spiritual ascent.
Xasthur have partly lifted the self-imposed ban on Black Metal, which is used here alongside Dark Ambient, Acid Folk, Doomgrass and various other genres to illustrate Connor's insights into the underbelly of the American dream.
Xasthur have partly lifted the self-imposed ban on Black Metal, which is used here alongside Dark Ambient, Acid Folk, Doomgrass and various other genres to illustrate Connor's insights into the underbelly of the American dream. Inc. exclusive bonus CD!
Xasthur have partly lifted the self-imposed ban on Black Metal, which is used here alongside Dark Ambient, Acid Folk, Doomgrass and various other genres to illustrate Connor's insights into the underbelly of the American dream.
Xasthur have partly lifted the self-imposed ban on Black Metal, which is used here alongside Dark Ambient, Acid Folk, Doomgrass and various other genres to illustrate Connor's insights into the underbelly of the American dream. Lim. 400x.
Vinyl reedition his 2nd album, originally released in 1996, and which includes several of the tracks used for the Le Fabuleux Destin D'Amélie Poulain soundtrack.
Strictly limited to 500 copies – Massive Deluxe Box-Set, including the entire existing recordings of Zero Kama on 3 individual CDs! Recordings transferred from original tapes, carefully mastered by Martin Bowes at the Cage.
Strictly limited to 500 copies – Massive Deluxe Box-Set, including the entire existing recordings of Zero Kama on 3 individual Vinyls! Recordings transferred from original tapes, carefully mastered by Martin Bowes at the Cage.
Recorded on July 23, 2022, during Summer Scum 7 noise festival at TV Eye, 1647 Weirfield St., Queens, NYC. Additional bonus tracks from rehearsal and draft recordings.
An electroacoustic symphony in five movements which has been created as background music for Zoe Dewitt’s philosophical lecture performance of the same title, composed by re-arranging vocal and instrumental samples from "The Secret Eye of L.A.Y.L.A.H.".
As the dark nights draw ever nearer and the cold winds blow their mournful eyries one’s life becomes more introspective, Örnatorpet reveal the reason why such Dungeon Synth epics are so perfect for the onset of winter! Lim. 300x.
The magick and mysticism of mid '90s Dungeon Synth is invoked once again, through this majestic, mesmerizing spell which opens a portal to a forgotten realm, an arcane age whisked into the present if only to be witnessed within the mind's eye.
A gloomy and mystical journey into the darkened shrine of Dungeon Synth, deeply inspired by the folklore of ancient Sweden and its dramatic nature, in an homage to the rusty tones of autumn.
With beautiful artwork by talented Skogens Rymd Art, this modern Dark Ambient / Dungeon Synth work find its perfect completion, musically and visually, invoking the soundtrack of winter while taking the listener on a dreamy nostalgic journey. Lim. 300x.
Modern music without the trappings of modernity; nostalgia and longing channelling the spirit both of timeless classics like Fata Morgana, Mortiis, and Wongraven and recent genre greats such as Erang, Old Sorcery, and Vindkaldr.
Modern music without the trappings of modernity; nostalgia and longing channelling the spirit both of timeless classics like Fata Morgana, Mortiis, and Wongraven and recent genre greats such as Erang, Old Sorcery, and Vindkaldr.
A reverent ode to the days of yore, “Fordomdags” emerges as an anthology of forgotten sagas and mythical narratives, each track a portal to realms ruled by enigmatic forces.
A reverent ode to the days of yore, “Fordomdags” emerges as an anthology of forgotten sagas and mythical narratives, each track a portal to realms ruled by enigmatic forces.
The first music ever composed by Örnatorpet. “Midvintersagor” is a soundtrack to an unwritten legend. Each track weaves a narrative steeped in medieval fantasy, channelling the essence of forgotten folklore and the grandeur of winter’s stillness.
The first music ever composed by Örnatorpet. “Midvintersagor” is a soundtrack to an unwritten legend. Each track weaves a narrative steeped in medieval fantasy, channelling the essence of forgotten folklore and the grandeur of winter’s stillness.
A retrospective of artworks by Danish artist øjeRum (Paw Grabowski) exploring the complex relationship of humans and plants. 144 pages on Munken Polar 150 g/m2 paper. Scratch free mat laminate cover. Includes CD in paper sleeve with 2 Tracks (60min).
Keeping with the unique approach of a 1 track album, we are graced with static filed and emotionally drifting Ambient soundscapes. Slow moving, sorrowful reveries of rich organ tones, repetitive patterns and plaintive melancholy. Lim. 300x.
This new collection not only builds upon the foundations laid by “Stigma” but also ventures into uncharted territories of øjeRum’s creative vision, continuing his quest to illuminate the unseen and to honor the stillness at the heart of existence.
"Drømme I Langsomt Stof" ("Dreams in Slow Matter") is based on recordings of ice on a frozen lake. Through slow unfolding textures, øjeRum creates a quiet, dreamlike world – a meditation on impermanence, stillness and suspended glacial movements.
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