"Um sich mit Naturmystizismus und Schamanentum zu beschäftigen, braucht man nicht in entlegene Länder zu reisen. Sie liegen quasi vor der Haustür. Das ungarische Duo The Moon And The Nightspirit kö(...)"
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A collaboration of Kim Larsen (Of The Wand & The Moon / Les Chasseurs de la Nuit etc.) and Iver Ask Overgaard (My Beloved / Of The Wand & The Moon etc.) of melancholic electronic music from Copenhagen, Denmark. Lim. 300x!
Basinski's dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations yet never deviating from what defines its essential sentiment...
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski’s most celebrated works, dating back to 1982, spawned from a fruitful evening of live experimentation in the studio after a day of work at the answering service...
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work. Lim. 1500x.
An expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package comes in sturdy full-color jackets, with a new 1000-word foreword by Laurie Anderson housed.
"Finsternis" successfully evokes the eponymous darkness of its German title and frozen cineastic soundscapes delivered in Winterblood's typical, minimalistic style that has been aptly dubbed "Polar Ambient".
Wolfskin returns with a transcendental new work that expands the project’s long-standing devotion to metaphysical sound into cosmic territory. It distills the essence of ritual music to its purest form: vibration, resonance, and spiritual ascent.
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