view titles by artists starting by...
... a : b : c : d : e : f : g : h : i : j : k : l : [ m ] : n : o : p : q : r : s : t : u : v : w : x : y : z : all
•
[
any format ] :
all titles by artists starting by M
|
format:
click on desired title for detailed information and audio samples
Following a number of Ambient Drone instrumental albums, Jencik felt the need to set himself a new creative challenge: to write vocal-heavy songs. Midwife's glowing yet minimal vocal layers fit nicely within project’s aesthetic and spiritual impulses.
Blood Incantation guitarist Kolontyrsky's hypnotic debut of iridescent electric guitar-based Ambient. The interlocking textures ring with scorching guitar riffs drifting into sustained ghostly Ambient atmospheres, with sonic enhancements by Steve Roach.
The first authorized reissue of Mort Garson's legendary 1976 album of Moog music for plants. Includes the original Mother Earth's indoor plant care booklet! Includes digital download on real seed-paper card. Plant it and watch it sprout!
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Yet another find in the Garson archives, which includes the soundtrack to the 1974 blaxploitation film Black Eye, alongside some newly unearthed music for advertising and other comissioned sound track work for the likes of National Geographic or CBS.
Muhd is Samuel Vaney (Fargue, Cortez, Consor) and close collaborator of Dehn Sora/Treha Sektori. “Dilogia” shows a study of contrasts within saturated, nostalgic and heart wrenching ambient melodies and pulsing passages. Lim. 300x.
Fernando Corona taps into the works of European composers such as Arvo Pärt, Henryk Górecki and Giya Kancheli and brings their spiritual composition work into his Electronic minimal cosmos. A sublime album full of depth and texture.
A special collection of remixes, single tracks and unreleased pieces by the Mexican electronic artist and composer, hereby remixed by the likes of Sutekh, Deathprod, Jan Jelinek, Geoff White or Colleen.
A dramatic departure from previous wors. Truly monumental in scale, "Cosmos" is composed almost entirely of recordings of classical instruments, a process which Corona describes as "expanding the possibilities of acoustic instruments through electronics".
The original soundtrack for the "Lost In Time" film blends the aria of the Goldberg Variations sung by Les Petits Chanteurs du Mont-Royal with a piece by Murcof. "Lost in Time" plunges us into perpetual renewal, each ending leading to a new beginning.
A mammoth and visionary double album that brings together all the elements incorporated into the project to date - meticulous sound design, ghostly samples, forceful beats, diaphanous atmosphere - pushed further in terms of both abstraction and beauty.
Fernando Corona taps into the works of European composers such as Arvo Pärt, Henryk Górecki and Giya Kancheli and brings their spiritual composition work into his Electronic minimal cosmos. A sublime album full of depth and texture.
Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by science fiction films of the 1980s, which immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness.
Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by science fiction films of the 1980s, which immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
Extremely intense Arabic Dub Noise music, designed to blow minds and loudspeakers. 2021 Remastered reissue with new artwork of this absolute “Cult” release from a real cult act of the late 80ies / early 90ies.
A Muslimgauze gem from the late 80s. Cinematic, minimal, noisy, hypnotic, and gloomy. Originally released on legendary Parade Amoureuse in 1989, it is propably not as overtly Middle Eastern as his later works, though definitely bearing an influence.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
"Emak Bakia" stands out of all albums from that period, due its rather unique (House-music related) sound and short tracks. Like a crossmix between Psychic TV (circa Towards "Thee Infinite Beat") and Muslimgauze’s trademark percussion and eastern vibes.
Hypnotic rhythms mixed with with eastern vibes. In short: Muslimgauze at its best! A brand new compilation of rare and special Muslimgauze-tracks, recorded between 1989 and 1996 and all carefully remastered for this album.
Hypnotic rhythms mixed with with eastern vibes. In short: Muslimgauze at its best! A brand new compilation of rare and special Muslimgauze-tracks, recorded between 1989 and 1996 and all carefully remastered for this album. Lim. 500x.
Recorded in 1998, "Lo-Fi..." brings some "pure" Muslimgauze tracks alongside re-mixes of tracks from Systemwide's "Sirius". Nearly all of the tracks have hand percussion and at least 1/2 make use of electronic noise sources with a crisp and clean sound.
Recorded in 1998, "Lo-Fi..." brings some "pure" Muslimgauze tracks alongside re-mixes of tracks from Systemwide's "Sirius". Nearly all of the tracks have hand percussion and at least 1/2 make use of electronic noise sources with a crisp and clean sound.
A transcendental journey into Eastern soundscapes and a secret weapon for DJs who enjoy to tear down the borders of tribal underground house and psychedelic trance music, full of heavy percussion fire with deep tribal grooves and field recordings.
"Martyr Shrapnel" was originally released by The Muslimgauze Preservation Society in 2012 in a limited CD edition, and it was written, played, and recorded by Bryn Jones aka Muslimgauze from 1996 to 1998. Lim. 400x, on 180g vinyl.
An album of exotic Arabic textures where traditional instruments intermesh with technology, found sounds and voices meld with drones and synthesizers. "Citadel" uses both eastern and western rhythmic patterns embedded in layers of shifting soundscapes.
An album of contrasts, evocative of a culture caught up in a web of local and global politics, where the boundary between East and West coalesces. Up tempo, carefree soundscapes of human activity interspersed with digitized spatial rhythms.
75 minutes of mellow eastern-style hypnotism. Consisting of only five parts, the album shows Bryn’s ability to create lengthy and detailed compositions filled with Arabic percussion, droning keyboards, vocal samples and ethereal atmospheres.
view all results (100 per page):
page: « prev. :
[ 1 ] : next »
Trobar de Morte 
add to cart ]