"Année chargée pour H. Möller. En sus de l’arrivée d’un nouvel album ("Grace Of God") et d’une réédition ("Back In Control"), toutes deux luxueuses, de son projet martial et orchestral Puis(...)"
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"Femundsmarka" chronicles a trek undertaken through the Femundsmarka National Park in Norway. Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of Black Metal.
A special re-recording of their demo, to celebrate the band's 15th anniversary. A chance for the growing legions of Waldgeflüster to nostalgically dwell into wistful early days of the band. The past is indeed alive!
"Femundsmarka" chronicles a trek undertaken through the Femundsmarka National Park in Norway. Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of Black Metal.
Applying the raw power of atmospheric Metal and the introspection of Folk, Doom, and Post-Metal to their Black Metal sound, on “Ruinen” Waldgeflüster offers a melancholic and poetic journey through autumnal landscapes and human fragility. Lim. 500x.
Wallachia is dark, ominous and doom laden with a very unique vocal style that hints of Death Metal. Wallachia bridge both classic and modern Norwegian Black Metal, often resorting to symphonic parts as well as acoustic passages. Lim. 566x.
"Unlearning" plays out like a musical. While the themes of the album are universally relatable, Walt Disco’s gift is in the unique experience of discovery and heartbreak between queer people.
Originally released in 1973, with an all-star line-up which included Klaus Schulze and Manuel Göttsching, "Tarot" is Walter Wegmüller's only foray into the world of music.
Slow-burning, groove-heavy, and laced with Stoner Metal venom, Warcoe drags classic Doom into the abyss and back with Sabbathian weight, Saint Vitus’ raw gloom, and the swagger of Trouble’s golden-era riffage.
Exploring and evoking the culture of their forefathers, Wardruna return to ancient times of the Norse pagan people and their spiritual music using deer hide fram drums, mouth harp, goat horns, lur, Hardanger fiddle and tagelharpe.
2nd part of a trilogy of albums focusing on the mythology of the 24 runes of the ancient Norwegian alphabet. Ritualistic Pagan Folk with thundering drums, acoustic instruments and chants that evoke the spirits of ancient Vikings and their legends.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
For years now Wardruna founder Einar Selvik has done acoustic concerts and lectures, performing Wardruna songs on his own, as well as creations made for the TV-show “Vikings” in an acoustic format. "Skald" collects live studio recordings of this material.
Exploring and evoking the culture of their forefathers, Wardruna return to ancient times of the Norse pagan people and their spiritual music using deer hide fram drums, mouth harp, goat horns, lur, Hardanger fiddle and tagelharpe.
An immersive audio arrangement that underscores the experiential paradigm shift and masterful musicianship of their superlative and boundary-pushing virtual live experience "First Flight of the White Raven" of March 26th 2021!
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
From the deep woods now emerges "Birna", Wardruna’s sixth studio album. Through his never resting dialogue with nature, main composer Einar Selvik has been searching for the voice of the bear.
Crushing underground Thrash / Death Metal from German worshippers of the legendary Hellhammer. You will find nothing but old-school, rough and simple underground metal in the vein of Hellhammer, Delirium, Usurper, Celtic Frost or Venom. Lim. 300x.
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge. Lim. 999 copies.
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge.
23.00EUR • approx. 33.4USD [ new : recommended ] : [ add to cart ]
On the 4th anniversary of Volker Iron Lungs Frerichs death, "Total Maniac" will chime from the abysses into the realms of reality to bring horror and damnation for one last time as a deafening echo of Iron Lungs eerie dirge.
Led by guitarist and vocalist Patrick Walker, every moment of Warning's "Watching from a Distance" feels monumental - the album is widely considered to be one of the most emotionally-driven and profoundly Doom Metal records.
33.00EUR • approx. 47.9USD [ new : recommended ] : [ add to cart ]
Led by guitarist and vocalist Patrick Walker, every moment of Warning's "Watching from a Distance" feels monumental - the album is widely considered to be one of the most emotionally-driven and profoundly Doom Metal records.
"Warsaw" was the planned debut album by the English post-punk band Joy Division, while they were briefly associated with RCA Records. However, the band were disappointed with the post-production work and the deal fell through, the album being scrapped.
The Swedes’ first 10 years full-length catalogue in one 4-CD set sold at special price. This includes "Rabid Death's Curse", "Casus Luciferi", "Sworn To The Dark" and "Lawless Darkness", complete with 4 bonus tracks and a booklet with all the lyrics!
With the true spirit of Black Metal coursing through every incendiary riff on "Lawless Darkness", Watain have been reborn with sharpened intent and blazing potency, creating an intense and enveloping paean that keeps the black flame burning. Lim. 500x.
In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, Watain stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity. Lim. 700x.
In a scene of countless carbon copies and soulless attempts to evoke the majesty of the ancient Swedish Black/Death Metal legacy, Watain stand alone solemnly. They are watching from the shadows, in genuine victorious sincerity. Lim. 100x.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
The Doors of the Autremonde are closing in on a darker and more sinuous second chapter. The band's Metal and Progressive influences are fully asserted and bestow strong intensity upon the lyrics and their Dark Folk foundations. Lim. 100x.
A lesson in plunderphonics. Album no. 13 since the start 25 years ago, this one is something else: a mixtape/mashup to celebrate brilliant bandleader, pianist, mystic, philosopher and Afro-Futurist Sun Ra.
A sound-journey of the great plague entering and ravishing Norway in 1349. This musique concrète sound-collage mixes elements of manipulated traditional Norwegian Folk music, with sounds of horses whining, rats gnawing, wood grinding and people moaning.
28.00EUR • approx. 40.6USD [ new : recommended ] : [ add to cart ]
Now making its debut on vinyl, When's "Trippy Happy" brings back a sound that hasn't been heard since the late 60s, as it explores folky pop ballads, banjo lullabies, baroque psychedelia, and industrial cartoon surrealism.
A musical universe made up of the melancholy of The Cure and the onírica textures of Echo and The Bunnymen, mixed with strong Joy Division/New Order influences.
The long awaited debut album by Brussels based Post-Punk outfit, produced by Micha Volders and mixed by Bert Libeert. The band’s first major release since their incredibly successful EP "Endless Party" in 2015.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Having retreated to the Ardennes during the summer, the band took the strongest parts of their old work and refined them even further. Where "Image" was theatrical and widescreen, this time around they focused more on sheer, unpretentious intensity.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
Following the dark, expansive power of previous works, "The Great Calm" represents a reimagining and rethinking, though this growth has produced a series of songs that are still defiantly and uniquely true to the group.
31.00EUR • approx. 45USD [ new : recommended ] : [ add to cart ]
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Wardruna's Lindy-Fay Hella and Gaahl explore the magical power of the voice, over a tapestry of Ambient, Psychedelic Prog, and Rock with notes of Dark Folk and Metal. Something essentially Nordic but extending beyond already explored dimensions.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
Celebrated Gothic Rock / Dark Wave visionaries return with their 12th studio album, seamlessly blending elements of Post-Punk, Gothic Rock, and mysticism. A haunting journey through the intertwined forces of religion, love, death, and spiritual reckoning.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
White Birches continues to push the boundaries of the genre, where alarming guitars and dissonant synths meet haunting Pop melodies. A more personal album, yet with the same striking intensity, and a must for all fans of dark, gloomy Dark Wave / Postpunk.
A collaboration of Kim Larsen (Of The Wand & The Moon / Les Chasseurs de la Nuit etc.) and Iver Ask Overgaard (My Beloved / Of The Wand & The Moon etc.) of melancholic electronic music from Copenhagen, Denmark. Lim. 300x!
The long out-of-print 2008 album from Oakland-based Stoner Doom trio White Witch Canyon - nine groove-laden songs drenched in blues and fuzz reminiscent of Monster Magnet and Soundgarden.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
A record filled to the brim with sulphurous, epic Black Metal as come to be expected from Whoredom Rife by this point, yet holding a more sinister approach than previous works.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back.
Six new hymns of traditional Norwegian Black Metal, heavily rooted in the 90s glory days. Epic and grandiose, melancholic and utterly aggressive; "Winds of Wrath" is truly a tumultous ride to Hell and back. Die-cut splipcase, 12-page booklet and poster.
Basinski's dense textures and softly pulsing tones continually drift around one another in gradually shifting plains of sound, creating new and constantly evolving variations yet never deviating from what defines its essential sentiment...
A new composition featuring a recently discovered tape loop melody from the earliest piano and tape experiments, from Basinski's early days as a composer, c. 1979.
One of Basinski’s most celebrated works, dating back to 1982, spawned from a fruitful evening of live experimentation in the studio after a day of work at the answering service...
One of Basinski's darkest pieces, even more so than "The Garden of Brokenness". A pensive and cavernous exercise, with its gaze set on darkness, as if you are listening to the entirety of history stretch and warp through time.
14 short melancholy tape-loops from the early eighties. Unlike his 'continuing' projects such as Disintegration Loops and Watermusic, this is a sort of a sketch album, made of short pieces all created with tape loops and the occasionla synthetic wave.
Dating 1983, "The River" consists of two long suites, both based upon the superimposition of long loops of found sounds and shortwaves. The idea was to have a piece which could repeat endlessly creating an eternal, meditative womb of tranquility.
Using a lilting piano melody on a small loop, the requisite magic happened in the recording process when this particular loop would randomly slip along the play head revealing an extraordinary counterpoint (in reverse) on the other side of the tape.
Very tranquil, somnolent ambient meditation. Completely conceived on the Voyetra synthesizer, it's a delicate cross of gentle intertwining melodies and cricket-like frequencies that instantly caress the nerves, inducing a state of relaxation and serenity.
Basinski plunges deeper than ever for the plaintive, solitary eulogy to David Bowie, aptly titled “For David Robert Jones.” Conversely, the title track, “A Shadow In Time,” is a subtle, celestial escalation of melody and drone.
A suite of commissioned works which utilize, among other things, exclusive source recordings from the interferometers of LIGO (Laser Interferometer Gravitational-Wave Observatory) capturing the sounds of the merging of two distant massive black holes.
Basinski’s reputation as the foremost producer of profound meditations on death and decay has long been established, but on "Lamentations" he transforms operatic tragedy into abyssal beauty, haunted by an ominous grief throughout the album.
Deploying a delicate piano passage from their collective archive, Basinski and Schaefer weave and reweave in numerous ways, forging an iridescent flurry of flickering melodies on this long-distance collaboration which took eight years to complete.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work.
A recently unearthed early entry in what has become a hugely inspirational and influential catalog. Built from a piano piece that Basinski composed in high school in the mid-1970s, "September 23rd" quickly evolved into a vastly different work. Lim. 1500x.
An expansive new box set that includes the entire 5-hour suite of iconic work. Newly remastered from the original recordings by Josh Bonati, the hefty package comes in sturdy full-color jackets, with a new 1000-word foreword by Laurie Anderson housed.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
Compiled in 1986 by Bill Rich, this features Burroughs's experimental recordings from 1961 to 1976, featuring field recordings by Burroughs of the Master Musicians of Jajouka, mathematician Ian Sommerville and painter/cut-up originator Brion Gysin. 750x.
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued!
In 1980, Genesis P-Orridge and Sleazy of (then-) Throbbing Gristle travelled to NYC to meet up at the fortified apartment of famed beat writer and cultural pioneer William S. Burroughs, to compile his experimental sound works. Now re-issued! Lim. 750x.
Regarded today as a hallmark in the Folk/Viking Black Metal scene, the influence of Windir’s sophomore record is not to be underestimated and could be compared to that of Bathory in its combination of icy riffs and building atmosphere with epic melodies.
While still very much rooted in Black Metal and heavily breathing atmosphere, "1184" marked a stylistic change from its predecessor as Valfar and co-songwriter Hvall stared experimenting with electronic influences.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere.
On Windir’S fourth and final full-length, many of the Folk elements that characterized the band’s previous records were pushed to the background in favor of a stronger Black Metal influence and a much darker and brooding atmosphere.
"The Onlooker" once more employs a raw, fierce Black Metal sound reminiscent of earlier days, and is bound to appeal to those who enjoy the other works of these veterans of the Ukrainian (Black) Metal scene. Lim. 1000x.
"The Onlooker" once more employs a raw, fierce Black Metal sound reminiscent of earlier days, and is bound to appeal to those who enjoy the other works of these veterans of the Ukrainian (Black) Metal scene. Lim. 300x.
Windswept turn historical testimony into sonic ritual. Inspired by The Black Book of Kremenets Castle (1747–1777), the album reconstructs the witch trials of 1753–1754 in Western Ukraine through six movements of stark, visceral Black Metal.
Windswept turn historical testimony into sonic ritual. Inspired by The Black Book of Kremenets Castle (1747–1777), the album reconstructs the witch trials of 1753–1754 in Western Ukraine through six movements of stark, visceral Black Metal. Lim. 200x.
The debut by this Chicago duo finds its guitar work inherently in the vein of Disintegration-era Cure, while injecting electronic elements that would be at home on records by OMD, in a refreshing mix of Electropop, Darkwave, and Goth.
Wingtips sophomore record combines their trademark Gothic sound with a dark, Post-Punk groove. Often described as a mixture of "Disintegration"-era Cure with electronic elements that would be at home on records by OMD.
Legendary Doom Metal icon Scott "Wino" Weinrich (The Obsessed, Saint Vitus, Spirit Caravan) strips it down to the raw essence on his new solo album. A powerful blend of haunting introspection and unshakable conviction.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The return of this Italian New Wave band, where a cold, vintage, drum machine rhythm section meets the liquid melancholic guitar atmospheres and ethereal synths.
The re-print (incl. Bonus-Track) of Winter Severity Index’ debut from 2014, mentioned as one of the best New Wave albums of the year by many magazines, both in Italy and abroad. Comes in Different Artwork and including an exclusive Remix by Hørd!
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
"Degelo" brings a new approach in composition, with renovated inspirations! A massive presence of synths, no more bass guitar and rare guitar phrases with the familiar Simona's liquid new wave sound, as a sort of trademark of the project.
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