" Nati in seguito ad un incontro nel workshop di Brandon Ferry, per chi non lo sapesse una delle due menti dei Dead Can Dance, i Poets To Their Beloved, in seguito solo PTTB, sono una nuova ed interess(...)"
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Qual is Lebanon Hanover’s bassist and vocalist William Maybelline, who moved from the pop touch of his main band to cruise the slums of darker and even more extreme electronics. Centuries of sorrow drenched in gloomy electronics. Lim. 300 copies.
Maybelline takes the hints of his previous EP to a fully extended sulphurous formula reaching new, bizarre heights. Brooding industrial meets powered-up disco nightmares with BM-like volcals, electro-funk basslines match hardcore techno gone post-goth.
19.00EUR • approx. 27.6USD [ temp. out of stock ] : [ pre-order ]
William Maybelline of Lebanon Hanover explores a much darker and gloomier soundscape of Minimal Synth with Qual. Written and recorded during the first covid lockdown, this third album consumed the strange dystopian dread felt by Maybelline. Lim. 500x.
William Maybelline of Lebanon Hanover explores a much darker and gloomier soundscape of Minimal Synth with Qual. Written and recorded during the first covid lockdown, this third album consumed the strange dystopian dread felt by Maybelline.
18.00EUR • approx. 26.1USD [ new : recommended ] : [ add to cart ]
Qual is back with this beautiful release, old school EBM and Industrial Electronics with heavy rhythms and haunty vocals. 3 new tracks and a remix by SARIN for this solo project of William Maybelline of Lebanon Hanover! Lim. 500x.
Pure Old School EBM / Industrial, recorded with analogue hardware. With technoid hammers and torture tech beats “Love Zone” opens as a continuum of Qual’s previous exploration of digital decay. Lim. 500x.
Pure Old School EBM / Industrial, recorded with analogue hardware. With technoid hammers and torture tech beats “Love Zone” opens as a continuum of Qual’s previous exploration of digital decay. Lim. 500x.
A brooding, cinematic shift into dark, piano-laced Alternative Rock. Heavy fuzz and hypnotic grooves yield to haunting ballads, sparse synths, and raw emotional vulnerability, creating a somber, introspective soundscape of tension and release.
A grimy, riff-driven return to desert-rock roots after the dance-rock detour of its predecessor. Sludgy guitars, bluesy swagger, and Homme's sneering falsetto confront divorce, grief, and mortality, closing with a sprawling nine-minute epic.
A grimy, riff-driven return to desert-rock roots after the dance-rock detour of its predecessor. Sludgy guitars, bluesy swagger, and Homme's sneering falsetto confront divorce, grief, and mortality, closing with a sprawling nine-minute epic.
32.00EUR • approx. 46.4USD [ temp. out of stock ] : [ pre-order ]
A swaggering, Dance-Rock pivot from brooding classic Rock, injected with tight grooves, disco-funk bass, and Bowie-esque synths. Mark Ronson's production sharpens the desert-fuzz crunch into a sleek, stomping, and lethally catchy machine.
"Alive in the Catacombs" captures QOTSA as you’ve never seen or heard them before. Absolutely everything was planned and played with deference to the Catacombs — from the acoustics and ambient sounds to the darkly atmospheric lighting tones.
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