"Voor de liefhebbers van sferische muziek is de naam Duncan Patterson het teken
om toch aardig enthousiast te gaan worden. Was Planetary Confinement van Antimatter
al een album dat iedereen wist te(...)"
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Lark Blames continue to defy categorisation while producing their most masterful and accessible work to date. Live drums and bass provide driving rhythms to ‘Lunge’ and ‘Sunday’, whilst brass, acoustic guitar and programmed percussion propel ‘Cups’.
Recorded in 1997 near the end of their “Hallway of the Gods” tour of Canada and America, “Live at La Luna” reveals like never before the magical atmosphere of sound and light created by Edward Ka-Spel and his talented crew.
One of their most mature and finest works! Two years in the making, this is an enthralling, captivating release where distinctive vocals and lyrical imagery float over textural ambience, hypnotic guitar, synth washes & spellbinding bass pulses.
Song writing and recording for "The Museum..." were necessarily deemed to happen in cyberspace for 2020 and 2021. As a result, the lyrics are utterly poignant, desperate, yet sometimes bearing a flash of gallows humour. The soundtrack is a purging fire.
With members scattered across the globe, LPD's guilty confession is that quite a few Air Miles were consumed in its creation. Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running.
With members scattered across the globe, LPD's guilty confession is that quite a few Air Miles were consumed in its creation. Ideas were spun across Cyberspace for months, but the magic happened collectively in small spaces with the tape running.
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