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The minimalistic duo offer beautifully atmospheric Darkwave or Minimal-Coldwave, which combines wide electronic surfaces with Wave guitars and catchy female vocals, focusing not only on danceability but also on creating melancholic sound worlds.
Tiersen's debut album, released in June 1995, was inspired by and written for the theatrical adaptations of Tod Browning's 1932 cult classic Freaks, and Mishima's Noh play The Damask Drum. Remastered for this Digifile re-issue.
A collection of short pieces recorded with toy piano, harpsichord, violin, accordion, and mandolin which includes several pieces later on used as movie soundtracks. Remastered and now presented in Digifile CD.
"Kerber" marks a new chapter in the Breton artist’s work, one that begins with his most overtly electronic material to date. True to Tiersen’s nuanced and subtle approach, it is a beautifully textured, highly immersive and thoughtfully constructed work.
Two distinct, interconnected parts, each with its unique sonic characteristics: the first offers eight tracks of introspective instrumental piano, while "The Liquid Hour" is an expansive, genre-defying blend of electronic music and psychedelic rhythms.
On one side, Yann Tiersen's cinematic evocative power and timeless black romanticism, on the other Shannon wright's raw emotion and lulling voice. The same sensibility and sense of propriety, giving birth to these 10 luminous and fragile tracks.
Cranked amps and molested drums hurl their mourning chant as a choir intoning its final psalms at the dawn of the Last Judgment. YONL follows the path set by “Nord” towards more somber psychedelics, creating its own blend of Black Metal, Sludge and Drone.
Year Of No Light's debut brings their Post-Metal style in the form of aggressive songs and screamings vocals, before the band veered into an instrumental direction for "Ausserwelt".
17.00EUR • approx. 24.7USD [ temp. out of stock ] : [ pre-order ]
Haunting, discordant and deeply unsettling, "Les Maîtres Fous" was commissioned by Musée Du Quai Branly and written by the French Post-Metal collective as a uniquely hypnotic response to French filmmaker Jean Rouch's controversial 1950's docufiction.
The 2nd album by this Stoner Doom powerhouse offers a darker and more diverse sound than before with both Psychedelic and Post Punk elements. Lava-like riffs and pounding grooves melt with vocals of radiant grace and hooks of remarkable pop sensibility.
Year of the Cobra have honed their songwriting, which is more to the point, and produces catchy yet super heavy tunes that are tailor-made to fit the strongest aspects of this Doom Metal and Psychedelic Sludge twin engine.
Years Of Shame (by the same creats of Dead. and Giirls) voices a breath of sadness over glowing embers. The duo's Cold Wave roots increasingly absorb Industrial vibes and spread all the way to the dance floor.
"Elaborations of Carbon", the debut full length that set the stage for the bands singular, organic universe of transcendent Doom, is being presented for the first time on vinyl!
A visual and music collaborative project by artist Cen Jun and musician Yue Xuan, highly talented on creating peaceful, minimal and introspective contemporary Classical soundscapes.
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